Leah Ollman

Leah Ollman is a writer. Her books and exhibition catalogues include Alison Rossiter: Expired Paper, William Kentridge: Weighing... and Wanting, The Photographs of John Brill, Michal Chelbin: Strangely Familiar, and Camera as Weapon: Worker Photography Between the Wars.

MOCA Focus: Takako Yamaguchi, the artist's first solo museum show in Los Angeles, will open on June 29, accompanied by her first publication. Her imagery derives from multiple sources across time and geography, including Art Deco ornamentation, kimono designs, Japanese screen painting, and twentieth-century photographs of the female nude. Whether painting stylized seascapes or zoomed-in self-portraits, she favors an exacting, labor-intensive approach that honors the inefficiency of meticulous care. In late April, she joined Leah Ollman on the New Social Environment (#1217) for a conversation about process, appropriation, and her wry deviation from the trends of any given moment.

Portrait of Takako Yamaguchi, pencil on paper by Phong H. Bui.
This five-volume set is a real-time diary that’s a dazzling testament to its subject’s basic incomprehensibility. Kraft made a daily practice of reckoning with the unfolding, unnatural disaster, answering the relentless chaos of the Trump years with a methodical, conceptual program.
Richard Kraft’s It Is What It Is: All the Cards Issued to Donald Trump, January 2017 - January 2021

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