A small group of strangers and I were led down concrete stairs to a hallway. An industrial light in a metal cage illuminated a set of doors, and we stopped. The guide told us to “follow the lights” and “stay together, you can’t get lost if you stay together.” He opened the door to a dark hallway in the basement of Tresor / Kraftwerk Berlin, the former East Berlin power plant turned storied venue run by Dimitri Hegemann on the southern shore of the Spree, and motioned us to enter, “just head towards the light”. We entered carefully, in twos, stepping slowly into the dark.

Prélude, as the name suggests, is one of the inaugural exhibitions of collector Maja Hoffmann’s long-standing project in Arles, LUMA. A secondary meaning of the word, to warm up, is appropriate as the work exhibited finds ways of accessing a growing feeling, that something disastrous is coming, things are heating up and this is just the beginning of our collective discombobulation.

Radical empathy has emerged as a strategy to reorient a culture of systemic disaffection created by the alienation of capitalism.

Comprised of three sections, Abu Hamdan’s exhibition lays out, methodically, how sound can be used to reconstruct the invisible and what crimes against humanity exist in these unmonitored places.

Our very existence, a tower built of cells amassed, jostling, exchanging, is a war with intruders to determine the information that will write the next generation of who we are.

The spirit of the jaguar welcomes you to her home; nestled in a lush surrounding of jungle and maize fields at the foot of a volcano. This pneuma appears as a small girl with a glowing mask, inspired by Mayan depictions of the jaguar gods.