Both a record and an art object, it reveals the intimate contents of this lost mobile phone. Flipping through the book’s unnumbered pages echoes the unnerving and voyeuristic sensation of scrolling, uninvited, through someone else’s camera reel.

Suzanne Lacy: We Are Here provides a rich introduction to Lacy’s practice and raises a number of critical questions over authorship, display, language and form within Lacy’s work specifically and social practice more broadly.