James W. Fuerst

James W. Fuerst is the author the forthcoming Distress Cries of Animals. His previous books are the novel, Huge, and the nonfiction New World Postcolonial: The Political Thought of Inca Garcilaso de la Vega. Holding an M.A. and Ph.D. from Harvard University and an M.F.A from the New School, he is an assistant professor in Literary Studies at Eugene Lang College of Liberal Arts, the New School.

Approximately eight centuries before Kurt Baumeister’s humorous second novel Twilight of the Gods opens, a momentous event in the work’s retelling of Norse mythology occurs and, in turn, looms over the entire narrative: the Norns—a trio of sisters named Darkness, Halflight, and Sunshine, messengers of Fate—abscond from the Nine Realms, all but forgotten by the humans of Midgard and let down by the Aesir deities. 

Kurt Baumeister’s Twilight of the Gods
Anthony Veasna So’s highly anticipated debut story collection Afterparties is an engaging, funny, and often loving portrait of the Khmer and Khmer American community in and around Stockton, California.
Anthony Veasna So’s Afterparties
Rone Shavers’s debut novel Silverfish is a lively, intelligent, and ambitious book, and refreshingly difficult to categorize. It is an experimental work that combines elements of sci-fi, dystopian, and war fiction with linguistic and literary theory, intertextuality and metacommentary, multiple perspectives and voices, social criticism and satire—all of which is injected with pace and humor and firmly grounded in an Afrofuturistic stance.
Rone Shavers’s Silverfish
The subject matter of her memoir, however, is vastly different: it centers on the passionate same-sex relationship between the author in her mid-twenties and another young woman that quickly turned sour and became abusive. The eponymous Dream House, the author informs us, is neither a Hollywood set nor a narrative prop, but rather an actual place—the idyllic-seeming home that Machado and her lover shared in Bloomington, Indiana—as well as a “haunted house” where “metaphors abound.”
Carmen Maria Machado: In the Dream House

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