Folasade Ologundudu

Folasade Ologundudu is a writer, podcast host/creator, and multidisciplinary artist whose work explores issues of identity, race, and culture as it pertains to art, fashion, and design. She is the founder of Light Work, a creative platform rooted at the intersection of art, education, and culture.

Here, each artist explores tactile experiences through bodily memory, engaging in a decidedly introspective practice.
Francheska Alcántara, Tiger Jaw III, 2022. Hispano cuaba soap, acrylic and resin on wood, 12 x 9.5 x 3 inches. Courtesy the artist and Lehmann Maupin, New York, Hong Kong, Seoul, and London.
For his first solo exhibition with Lehmann Maupin, Soft Shadows, Dominic Chambers showcases four autobiographical life-sized paintings.
Dominic Chambers, Shadow Work (Chapters), 2022. Oil on linen, 70 x 80 inches. Courtesy the artist and Lehmann Maupin, New York, Hong Kong, Seoul, and London.
Stand still and direct your gaze three stories up into the MoMA’s Marron Family Atrium and prepare to be arrested by the motif of black-and-white in Adam Pendleton’s Who is Queen? The work, monumental in scale, with its three soaring scaffold sculptures, taking up the height of the 60-foot atrium, is his most “autobiographical” to date and considers history not as fixed or static, but rather continuous, alive, and ever-evolving in real time.
Installation view: Adam Pendleton: Who Is Queen? The Museum of Modern Art, New York, 2021. Photo: Andy Romer.
In The Forever Museum Archive_Circa 6000BCE Onyedika Chuke presents new iterations from his decade-long ever-expanding body of work, The Forever Museum Archive. The archive includes an assortment of art and non-art objects, hand-made sculptures, texts, and moving images.
Onyedika Chuke, Forever Museum Archive/The Untitled/Hermes_and_Reflection Pool_Blue_Circa_2020, 2021. Courtesy the artist, The Arts Center at Governors Island and Pioneer Works. Photo: David Gonsier.
In the historic landmark townhouse housing Tilton Gallery on New York City’s Upper East Side, Kennedy Yanko presents her latest exhibition and first solo show with the gallery, Postcapitalist Desire.
Installation view: Kennedy Yanko: Postcapitalist Desire, Tilton Gallery, New York, 2021. Courtesy the artist and Tilton Gallery, New York.
With a cornerstone of the party’s politics on full display, Davis brings our focus to the grassroots community organizing Seale and the Black Panthers were known for. Half a century later, lies perpetuated by the US government still surround the activist organization whose free breakfast programs fed school children in dozens of cities across America. In her newest work, Davis sets the record straight.
Installation view: Karon Davis: No Good Deed Goes Unpunished, Jeffrey Deitch, New York, 2021. Photo: Cooper Dodds and Genevieve Hanson. Courtesy of the artist and Jeffrey Deitch, New York.

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