Erin Sweeny

It is also fitting then that Xanax, a palindrome, reads as its own kind of riddle—without set beginning or end.
Installation view: Jos de Gruyter and Harald Thys, Xanax Film Festival, Gavin Brown's enterprise, New York, February 25 – April 30, 2017. Courtesy Gavin Brown's enterprise.
In negotiating the space between body and object, we rely on the memory of use and familiar patterns in a world where binary assumptions are common: in versus out, hard versus soft, resistance versus flow.
Installation view: Martha Friedman, Dancing Around Things. Andrea Rosen Gallery 2, February 10 – March 11, 2017.
In negotiating the space between body and object, we rely on the memory of use and familiar patterns in a world where binary assumptions are common: in versus out, hard versus soft, resistance versus flow.
Installation view: Martha Friedman, Dancing Around Things, Andrea Rosen Gallery 2 February 10 – March 11, 2017.

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