Elizabeth M. Gollnick

ELIZABETH M. GOLLNICK completed her Ph.D. in art history at Columbia University. Her dissertation Diffusion: Women Light Artists in Postwar California explores the significant contributions of Mary Corse, Helen Pashgian, and Maria Nordman to the origins of light-based practice and the Light and Space movement.
At the entrance to Mary Corse: A Survey in Light at the Whitney Museum of American Art, a monitor plays White Light (1968), a film showing a young Mary Corse at work in her studio. In one scene, Corse holds a square of fluorescent tubing, moving it playfully in front of the camera. The square begins to glow, seemingly from within, without any apparent wires or electrical source.
Mary Corse, Untitled (White Multiple Inner Band), 2003. Glass microspheres and acrylic on canvas, 96 x 240 inches. Courtesy Kayne Griffin Corcoran, Los Angeles, Lehmann Maupin, New York; and Lisson Gallery, London. Photo © Mary Corse.

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