For those who frequent the seedy underbelly of Off-Off Broadway, the names Mac Rogers and Nat Cassidy will probably ring a bell. Rogers’ epic The Honeycomb Trilogy (2012) offered a breathtaking seven hours of sci-fi familial melodrama, while Cassidy’s The Temple, or, Lebensraum (2015), submerged its audience 200 meters underwater for a suffocating Lovecraftian odyssey.