With its instructive title, Do Ho Suh: Walk the House invites visitors to move through a life—room by room, and seam by seam. The exhibition charts Suh’s decades-long investigation into the architectures of memory, from intimate dwellings and household fixtures to state-sanctioned monuments. His iconic 1:1 fabric reconstructions of domestic interiors—paired here with works on paper and collaborative performances—ask what it means and what remains when the places we once called home exist only as impressions.

A year after publishing her essay “truth is, or is not” in the Brooklyn Rail, Martha Rosler returns with an exhibition of the same name—staging in images the very crises she outlined in writing: media distortion, conspiratorial thinking, and the erosion of journalistic standards.

For her latest exhibition at PROXYCO Gallery, Sofía Gallisá Muriente ventures into spaces where memory resides—elusive, fragmented, or obscured—to unearth “unknown unknowns,” the aspects of history we cannot yet name or imagine.