Caetano Dias

Caetano Dias (1959) was born in Feira de Santana, state of Bahia. His visual work began in the late 1980s through performance, urban interventions and mural paintings after his training in vernacular letters at the Catholic University of Salvador between 1985 and 1987. His research articulates the sacred and the erotic through realization videos, paintings, three-dimensional works, multimedia installation and digital photography. Between 1995 and 2008, he taught courses in the workshops of the Museum of Modern Art of Bahia.

My land has no palm trees, or singing Sabiá birds. In this clearing, there is neither forest nor ownerless dogs at a crossroads.
Caetano Dias, Indigent Lake, 2008. Installation composed of a body in cast sugar and video projection of a paradisiacal lake. Courtesy the artist.
I first wish to make reference to my work process. This is essential commentary. Between the end of the ’90s and the beginning of the next decade, I started to work on the “digital mundane,” which I denominated at that moment “Popular Saints.” This was a type of fantasy that remains present in my current work. The process itself was quite simple.
Caetano Dias, Straws - Action with Annato on body at Favela Hill, 2015–16. Performance. Courtesy the artist.

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