Alexandra Juhasz

ALEXANDRA JUHASZ is the Chair of the Film Department at Brooklyn College. She makes, teaches, and writes about activist media, including Women of Vision: Histories in Feminist Film and Video (University of Minnesota Press, 2001) and the documentary Women of Vision: 18 Histories in Feminist Film and Video (1998, 83 mins)

Over tea and croissants at her Westbeth Studio, filmmaker and artist Barbara Hammer met feminist film scholar and filmmaker Dr. Alexandra Juhasz for a lively back and forth about Hammer’s New York city-wide retrospective.
Women I Love
Sitting together in the often bustling offices of Blum & Poe, New York, Dr. Alexandra Juhasz met with Agnès Varda, grande dame of feminist film, to discuss Varda’s current exhibition of video installation, photography, and sculpture—her first in New York.
Agnès Varda, La terrasse du Corbusier, Marseille, 1956. Black and white digital c-print, video projection with English subtitles (color, sound). 2 min., 33 sec., looped. 30 x 52 inches (open). Photo: Genevieve Hanson. Courtesy the artist and Blum & Poe, Los Angeles/New York/Tokyo.
Perpetual Revolution, currently at the ICP, makes powerful use of the museum’s walls, paint, institutional power, and curatorial competencies, to create a holding environment for images of social change.
Rachel Schragis, Confronting the Climate: A Flowchart of the People’s Climate March, 2014 – 16. Mixed media collage. 3 × 12 feet. © Rachel Schragis. Courtesy International Center of Photography.
Julian Rosefeldt’s Manifesto, which recently screened at Manhattan’s Park Avenue Armory, is a cynical spectacular celebrating men’s ideas about modern Western art by way of a starlet’s heroic virtuosity.
Video still: Julian Rosefeldt, Manifesto, 2015. © Julian Rosefeldt and VG Bild-Kunst, Bonn. Courtesy Park Ave Armory.

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