Word count: 2255
Paragraphs: 11
I.
I heard a gunshot so close I checked my body for its wounds. It wasn’t a panicked
search. I was staring at a computer, writing a paper on Beloved. I was quite in love with
both Denvers and no bullet wound was going to distract me from that so I touched
myself as though I was searching for a wallet. I went: right thigh pocket left thigh pocket
hoodie pouch over stomach pocket, left cheek pocket, right cheek pocket, all while
staring at a screen reworking a sentence, an argument:
Toni Morrison’s Beloved demonstrates
catalyzes
portrays Denver as an image of queer futurity through
By
; meaning, the circumstances
Retelling
And then I heard another gunshot so I left the sentence incomplete and walked over to my
Mother’s front door, looked through the peephole and reperformed the wallet search
before returning to the paper with a lost train, and needing to go elsewhere:
EB House and other critics
House and Joyner
Common readings of Beloved argue
Question whether or not
Analyzes
Posits Beloved, the character
The woman
The corporeal figure as ghost and unpacks
explores
analyzes what properties
characteristics
powers
truths of “ghosts”
‘ghosthood’
Speak to Beloved’s performance on both the story and thematic level; however, I’d like
to offer
Beloved, to me,
Reads as vampire—
Here, my mother comes home from work, disturbs the sentence and a conversation ensues:
The police killed somebody
What do you mean, here, now?
They say it was the lady downstairs
A lady in the lobby?
No, the lady that lives downstairs.
Mad ladies live downstairs, Ma. When and where.
Girl, are you listening? Here. The Lady that lives downstairs.
Danner?
Girl, you know I don’t know anyone’s name. but yea, I think so. The one that usually on
her terrace yelling, Crazy—
Don’t call her crazy, Ma.
How’d I know you were going to tell me I couldn’t call her by what we’ve been calling
her. All of a sudden you know her name.
Not all of a sudden.
All of a sudden. It’s a damn shame and it shouldn’t have happened but don’t get holier
than thou on me. All the time: Ma, I can’t read cause Crazy is yelling, Ma, I can’t hear
the TV, Crazy is screaming, Ma, guess what Crazy said to me in the elevator and now,
all of a sudden, you know her name.
I been knew her name, I just know you don’t know
anybody’s name.
Surprised you were home this whole time and didn’t hear anything.
I heard
flinched
checked myself
was writing a story
paper.
You were writing a paper. Can’t hear when your eyes are busy. Huh?
Can’t see if my ears are listening.
Snarky—don’t cut off your nose to spite your face little girl. What’s the paper about?
I don’t know
Beloved
Medea
Vampires
Image
Futurity
Time and space
I don’t know—stuff
Books and shit
Books and shit? Okay, well it’s your pockets this time.
It’s my pockets this time.
Chanté L. Reid is a writer from the Bronx, New York. She holds writing degrees from Brooklyn College and Brown University and is the author of THOT, from which this poem is excerpted.