Having witnessed two ruptures -- the pandemic and the ongoing crisis of our social and political condition, implemented in part by those who deploy technology and social media to create chaos and anxiety for self-serving purposes -- we at the Brooklyn Rail responded by swiftly launching our New Social Environment (NSE) daily zoom platform lunchtime conversation series. The NSE has now completed over 560 episodes and has reached a viewership of more than two million since the first program on March 17th 2020. It cultivates thoughtful discussions of pertinent topics in the arts, humanities, and sciences and values the amplification of “social intimacy”—in contrast to “social distancing”—through culture. The NSE, like the Rail itself, is freely available to all and aspires to help heal our social and political ills through the arts and the humanities. 

As an extension of this important communal action, we now feel a great sense of urgency to create a large exhibition that will unfold over a period of several months and will bring together many different kinds of practices, styles, and voices. As we slowly emerge from the Covid-19 pandemic, this timely exhibition is a celebration of hope for the future, in a similar spirit to our critically praised monumental exhibition Come Together: Surviving Sandy in 2013. The unifying idea behind this wide-ranging and broadly inclusive exhibition is suggested by its title: Singing in Unison: Artists Need to Create on the Same Scale That Society Has the Capacity to Destroy.

This exhibition is inspired by an underlying philosophy that runs through American history and  advocates for “the art of joining” as a social and cultural process that can mediate the disequilibrium within American politics and culture. Spread across eleven venues, the exhibition will combine works of art made by artists who were formally trained alongside works by artists who were self-taught, including works by incarcerated artists and artists who struggle with mental illness. Among the participating artists, many urgent themes and topics, such as gender, ethnicity, and the limits of knowledge, will be prominently featured.

As an integral part of the Rail’s curatorial vision, which emphasizes cross-pollination of the arts and humanities, there will also be a good deal of public programing, including panel discussions with artists, historians, and curators, readings of poetry and fiction, film screenings, music and dance performances, along with cooking performances led by Rirkrit Tiravanjit and Tomas Vu, which will be organized in each location throughout the duration of the exhibition.

September 23–December 17, 2022
Opening: September 23, 6–8 p.m.

Location:
Industry City
900 Third Avenue, Brooklyn
view map

Admission:
The exhibition is free and open to the public

Hours:
Tuesday–Saturday, 10–6

• September 23rd, 2022: Opening reception and cooking performance by Rirkrit Tiravanija, Tomas Vu, and Co.
• November 7th: Shirin Neshat in conversation with Nato Thompson and Phong H. Bui
• November 19th: "Unspoken Rule", a performance by Carol Szymanski
• December 1st: "Brooklawn: Warm Words in a Cold World", a poetry reading with Ben Keating, Ilka Scobie, Sante D’Orazio, Ralph Ramos, James Smith, Ama Birch, and Jac Nick.
• December 5th: “Confronting the Statisticon”, a performance Warren Neidich, Thyrza Nichols Goodeve, Sanford Kwinter, and Barry Schwabsky
• December 10th: “Take a Loaded Brush, Write Your Name”, an ekphrastic reading and performance, Anselm Berrigan, Kyle Carrero Lopez, Laura Henriksen, Alicia Mountain, Jade Manns, Owen Prum, Miguel Alejandro Castillo, and Kalliope Piersol, curated by Tyhe Cooper
• December 17th: Holiday party and performance by Ear Yoga Ensemble
• January 21st, 2023: Closing Reception

Counterpunch, by David Carrier

Since May 2022, Rail Curatorial Projects has undertaken an ongoing series of group exhibitions entitled “Singing in Unison: Artists Need to Create on the Same Scale That Society Has the Capacity to Destroy” as a collective effort to mobilize the art of joining and social intimacy against self-isolation and social distancing, In these exhibitions, we perceive each artist as the player of a particular instrument, having a unique and distinct sound of their own, producing a significant contribution to the total sound of the symphony.

The series has featured works made by both trained and self-taught artists, by young artists—including children from the legendary Studio in a School—and more established ones. Additionally, there are contributions from artists working during and after incarceration, as well as those who are living with various mental health conditions. Although the culture at large has frequently aimed to assimilate us all into having a similar sound, Rail Curatorial Projects is committed to celebrating each artist’s particular vibrancy, while at the same time providing a context in which they can be in dialogue with one another.

To date, ten iterations of varying sizes have been presented in this series of exhibitions, featuring a total of over 200 artists across seven venues: Art Cake, Below Grand, The Scully Tomasko Foundation, Ricco/Maresca Gallery, TOTAH, Miguel Abreu Gallery, Industry City, SLAG&RX, and Ruttkowski;68. Each version featured Lauren Bon and Metabolic Studio’s neon work Artists Need to Create on the Same Scale That Society Has the Capacity to Destroy; cooking performances by Rirkrit Tiravanija, Tomas Vu, and their graduate students from Columbia University; space activations, including performances from dancers, poets, and musicians; and each has been dedicated to and included a portrait of one of our recently deceased mentors and friends. The early exhibitions in the series all included several artists, and we have now also begun to feature two artists in conversation: when presented in this more intimate context, the similarities and differences in the artists’ practices highlight alluring and compelling aspects of their thinking and art-making processes.

Founded in October 2000 and currently published 10 times annually, the Brooklyn Rail provides an independent forum for arts, culture, and politics throughout New York City and far beyond. The journal features criticism of music, dance, film, and theater; and original fiction and poetry, covers contemporary visual art in particular depth. In order to democratize our art coverage, our Critics Page functions with a rotating editorship, which such luminaries as Robert Storr, Elizabeth Baker, Barbara Rose, Irving Sandler, and Dore Ashton have helmed.

The Rail further fulfills its mission by curating art exhibitions, panel discussions, reading series and film screenings that reflect the complexity and inventiveness of the city’s artistic and cultural landscape.

To learn more, visit brooklynrail.org
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