Over the course of his decades-long career, Lari Pittman has developed a unique visual aesthetic that has established him as one of the most significant painters of his generation. Pittman’s signature, densely-layered painting style includes a lexicon of signs and symbols (such as bells, eggs, animals, and ropes), a compilation of varied painting techniques, and a clear homage to the handmade, craft, and the decorative. While Pittman’s early works were informed by the socio-political struggle resulting from the peak of the AIDS epidemic, racial discord, and LGBTQ+ civil rights struggles that defined the last two decades of the 20th century, his later paintings evince a shift in focus towards interior spaces, including domestic and psychological subjects.

New York-based curator, art writer and educator Dan Cameron launched his career in 1982 with Extended Sensibilities at the New Museum, the first institutional effort in the US to examine gay & lesbian identity in art. For over forty years, Cameron has held senior curatorial positions at the New Museum, Orange County Museum of Art and CAC New Orleans, and organized more than a hundred museum exhibitions, including surveys of Martin Wong, David Wojnarowicz, Faith Ringgold, and others. In 2007, Dan founded Prospect New Orleans, the contemporary art triennial to benefit the city after Hurricane Katrina, and organized the first two editions. More recently, his book on Nicole Eisenman’s paintings was published in 2021 by Lund Humphries.