EventsThe New Social Environment#822

A Flock of Poets reading Avian works: A Rail Reading curated by Nicole Peyrafitte

Featuring Peyrafitte, Pierre Joris, Marcella Durand, Latasha Diggs, and E.J. McAdams

Wednesday, May 31, 2023 1 p.m. Eastern / 10 a.m. Pacific

These free events are produced by The Brooklyn Rail.

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Nicole Peyrafitte curates our 137th Wednesday Poetry Reading with Pierre Joris, Marcella Durand, Latasha Diggs, and E.J. McAdams.

In this Talk

LaTasha N. Nevada Diggs

A photo of LaTasha N. Nevada Diggs on The Brooklyn Rail's New Social Environment
Photo by Willy Somma
A writer, vocalist and performance/sound artist, LaTasha N. Nevada Diggs is the author of Village (Coffee House Press 2023) and TwERK (Belladonna, 2013). Diggs has received a 2020 C.D. Wright Award for Poetry from the Foundation of Contemporary Art, a Whiting Award (2016) and a National Endowment for the Arts Literature Fellowship (2015), as well as grants and fellowships from Cave Canem, Creative Capital, New York Foundation for the Arts, and the U.S.-Japan Friendship Commission, among others. She lives in Harlem.

    Marcella Durand

    A photo of Marcella Durand on The Brooklyn Rail's New Social Environment

    Photo by Corinne Botz

    Marcella Durand’s latest book, A Winter Triangle, was selected by Srikanth Reddy for the 2024 Poetic Justice Institute Prize and published by Fordham University Press, 2025. A collaboration with her mother, painter Suzan Frecon, The Light Factory, was published this fall by Insurance Editions. She is the co-editor with Jennifer Firestone of Other Influences: The Untold History of Avant-Garde Feminist Poetry (MIT Press, 2024) and the 2021 recipient of the C.D. Wright Award in Poetry from the Foundation of Contemporary Art.

    Pierre Joris

    A photo of Pierre Joris on The Brooklyn Rail's New Social Environment
    Pierre Joris has moved between Europe, the US & North Africa for 55 years, publishing over 80 books of poetry, essays, translations & anthologies — most recently Interglacial Narrows (Poems 1915-2021) & Always the Many, Never the One: Conversations In-between, with Florent Toniello, both from Contra Mundum Press. In 2020 his two final Paul Celan translations came out: Memory Rose into Threshold Speech: The Collected Earlier PoetryMicroliths They are, Little Stones: Posthumous Prose. In 2019 Spuyten Duyvil published Arabia (not so) Deserta(Essays on Maghrebi & Mashreqi literature). Other recent works include A City Full of Voices: Essays on the Work of Robert Kelly , & Conversations in the Pyrenees with Adonis .

    E.J. McAdams

    A photo of E.J. McAdams on The Brooklyn Rail's New Social Environment
    E.J. McAdams is a poet and artist, exploring language and mark-making in the urban environment using procedures and improvisation with found and natural materials. He has published multiple chapbooks and his first book LAST is forthcoming from BlazeVOX in September 2023. He is currently in a group show Bay Ridge Through An Ecological Lens at Stand4 Gallery where PLAIN/AIR/ECOLOGIES/COLLECTIVE/LINK/BAG his collaboration with Jimbo Blachly is installed. For his day job, he works for the birds, currently at BirdLife International.

    Nicole Peyrafitte

    A photo of Nicole Peyrafitte on The Brooklyn Rail's New Social Environment
    Nicole Peyrafitte’s work – in the form of paintings, drawings, films, texts, photography – cultivates “sympoiesis” (making-with). The series Karstic-Actions (2011- ), explores proprioception and kinesthesia as meeting points between (action) painting, poetry, text, voice, photography, film, health, improvised music, and, at times, cooking. Peyrafitte has shared food with audiences since the 90s in a search for sustainability of body & mind, with health as central axis. Recent works include Antediluvian Sympoiesis — Sapar Contemporary Gallery, NYC (2022); Karstic Actions/ Works with Pierre Joris — Gallery Simoncini, Luxembourg (2021); 11 Women of Spirit, Salon Zürcher, NYC (2020). Publications include Connection en Millefeuille (RedfoxPress 2022) and Landsc0pes (2018).

    We’d like to thank The Marion Boulton Kippy Stroud Foundation and Teiger Foundation for making these conversations possible, and for their support of our growing archive 🌈✨

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