EventsThe New Social Environment#815
Harmony Hammond: Accumulations
Featuring Hammond and Ksenia M. Soboleva, with Timmy Straw
Monday, May 22, 2023 1 p.m. Eastern / 10 a.m. Pacific
These free events are produced by The Brooklyn Rail.
Artist Harmony Hammond joins Rail contributor Ksenia M. Soboleva for a conversation. We conclude with a poetry reading by Timmy Straw.
In this Talk
Harmony Hammond
Harmony Hammond is an artist, art writer and independent curator. A leading figure in the development of the feminist art movement in New York in the early 1970s, she was a co-founder of A.I.R., the first women’s cooperative art gallery in New York (1972) and Heresies: A Feminist Publication on Art & Politics (1976). Since 1984, Hammond has lived and worked in northern New Mexico, teaching at the University of Arizona, Tucson from 1989–2006. Hammond’s earliest feminist work combined gender politics with post-minimal concerns of materials and process, frequently occupying a space between painting and sculpture – a focus that continues to this day. Hammond’s book, Wrappings: Essays on Feminism, Art and the Martial Arts (1984), is a foundational publication on 1970s feminist art.
Ksenia M. Soboleva
Dr. Ksenia M. Soboleva is a New York based writer and art historian specializing in queer art and culture. She holds a PhD from the Institute of Fine Arts, NYU. Her writings have appeared in The Brooklyn Rail, BOMB, Ursula Magazine, Cultured, Artforum, frieze, Hyperallergic, as well as numerous exhibition catalogues and artist monographs. Soboleva practices an autobiographical approach to art history, and an art historical approach to autobiography. She is currently completing her book manuscript What Happens After: Art, AIDS, and Lesbian Histories. Soboleva teaches at NYU.
The Rail has a tradition of ending our conversations with a poetry reading, and we're fortunate to have Dao Strom reading.
Dao Strom
Artist Dao Strom works with three “voices”—written, sung, visual—to explore hybridity and the intersection of personal and collective histories. She is the author of Instrument (Fonograf Editions, 2020) and its musical companion Traveler’s Ode (Antiquated Future Records, 2020); a bilingual poetry-art book, You Will Always Be Someone From Somewhere Else (AJAR Press); a memoir, We Were Meant To Be a Gentle People, and song cycle, East/West; and two books of fiction, The Gentle Order of Girls and Boys and Grass Roof, Tin Roof. Born in Vietnam, Strom grew up in the Sierra Nevada foothills of California and lives in Portland, Oregon. She is co-founder of two collective art projects, She Who Has No Master(s), and De-Canon.
We’d like to thank The Marion Boulton Kippy Stroud Foundation and Teiger Foundation for making these conversations possible, and for their support of our growing archive 🌈✨