EventsThe New Social Environment#784

Art + Tech: Signals: How Video Transformed the World

Featuring Stuart Comer, Michelle Kuo, and Charlotte Kent, with Alyssa Moore

Friday, April 7, 2023 12 p.m. Eastern / 9 a.m. Pacific

These free events are produced by The Brooklyn Rail.

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Curators Stuart Comer and Michelle Kuo join Rail Editor-at-Large Charlotte Kent for a conversation. We conclude with a poetry reading by Alyssa Moore.

Stuart Comer

A photo of Stuart Comer on The Brooklyn Rail's New Social Environment
Stuart Comer. © 2023 The Museum of Modern Art, New York. Photo: Peter Ross
Stuart Comer is MoMA’s Lonti Ebers Chief Curator of Media and Performance. He oversees the collection and diverse program of exhibitions, events, and acquisitions for the Department of Media and Performance. He also leads the Marie-Josée and Henry Kravis Studio, the Museum’s space dedicated to performance, music, sound, spoken word, and expanded approaches to the moving image. Some of his recent projects at MoMA have included Adam Pendleton: Who Is Queen? (2021), and member: Pope.L, 1978–2001 (2019), among others. He is co-curator of Signals: Video and Electronic Democracy. Comer was co-curator of the Whitney Museum of American Art’s 2014 Biennial and he served as the first Curator of Film at Tate Modern, London, from 2004 to 2013.

Michelle Kuo

A photo of Michelle Kuo on The Brooklyn Rail's New Social Environment
Michelle Kuo. © 2023 The Museum of Modern Art, New York. Photo: Peter Ross

Michelle Kuo is Chief Curator at Large and Publisher at The Museum of Modern Art. She is the curator of Jack Whitten: The Messenger; and leads interdisciplinary work on temporary and collection exhibitions, digital initiatives, research and scholarship, and acquisitions for the Museum’s collection, and directs MoMA’s global publications program. Kuo joined MoMA in 2018 as the Marlene Hess Curator of Painting and Sculpture. Recent exhibitions and collaborations include Otobong Nkanga: Cadence (2024–25), Artist’s Choice: Grace Wales Bonner—Spirit Movers (2024), among others. She has written and lectured widely; her publications include Sensing the Future: Experiments in Art and Technology (2024), she serves on the advisory board of the Museum Brandhorst, Munich, and the journal October.

    Charlotte Kent

    A photo of Charlotte Kent on The Brooklyn Rail's New Social Environment

    Associate professor of visual culture at Montclair State University Charlotte Kent, PhD, is an Editor-at-Large for the Brooklyn Railand a contributor to assorted books on art and technology, including as co-editor of Contemporary Absurdities, Existential Crises, and Visual Art (Intellect Books, 2024), co-author of Midnight Moment: A Decade of Artists in Times Square (Monacelli Press, 2024), and editor of Generation to Generation (Vetro, 2026). She is the recipient of grants from NEH and Google Art + Machine Intelligence, with a forthcoming book on contemporary art and technoabsurdity. She is a member of the College Art Association’s Committee on Intellectual Property.

    The Rail has a tradition of ending our conversations with a poetry reading, and we're fortunate to have Dao Strom reading.

    Dao Strom

    A photo of Dao Strom on The Brooklyn Rail's New Social Environment
    Artist Dao Strom works with three “voices”—written, sung, visual—to explore hybridity and the intersection of personal and collective histories. She is the author of Instrument (Fonograf Editions, 2020) and its musical companion Traveler’s Ode (Antiquated Future Records, 2020); a bilingual poetry-art book, You Will Always Be Someone From Somewhere Else (AJAR Press); a memoir, We Were Meant To Be a Gentle People, and song cycle, East/West; and two books of fiction, The Gentle Order of Girls and Boys and Grass Roof, Tin Roof. Born in Vietnam, Strom grew up in the Sierra Nevada foothills of California and lives in Portland, Oregon. She is co-founder of two collective art projects, She Who Has No Master(s), and De-Canon.

    We’d like to thank The Marion Boulton Kippy Stroud Foundation and Teiger Foundation for making these conversations possible, and for their support of our growing archive 🌈✨

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