EventsCommon Ground#633

Land of the Free

Featuring Hugo Crosthwaite, Vincent Valdez, Irene Mei Zhi Shum, and Jessica Holmes

Thursday, August 25, 2022 1 p.m. Eastern / 10 a.m. Pacific

These free events are produced by The Brooklyn Rail.

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Curator Irene Mei Zhi Shum and artists Hugo Crosthwaite and Vincent Valdez join Rail ArTonic Editor Jessica Holmes for a conversation. We conclude with a poetry reading by Yesenia Montilla.

Hugo Crosthwaite

A photo of Hugo Crosthwaite on The Brooklyn Rail's New Social Environment
Allowing the act of drawing to organically dictate his compositions in works that range from intimate drawings to large scale murals, Hugo Crosthwaite juxtaposes a wide range of textural and tonal ranges against spaces that alternate from dense and atmospheric to flat and graphic. His subjects—the everyday men, women and children that populate the border region of San Diego/Tijuana—are presented in a non-idealized documentary style. Crosthwaite is the 2019 winner of the Smithsonian’s National Portrait Gallery Outwin Boochever Portrait Competition. He was born 1971 in Tijuana and spent his formative years in Rosarito, Mexico. An American citizen with family on both sides of the border, he lives and works in San Diego, CA and Rosarito, Mexico.

Vincent Valdez

A photo of Vincent Valdez on The Brooklyn Rail's New Social Environment

Vincent Valdez blends large, representational paintings—the scale of which recall Western traditions of history painting as well as mural painting and cinema—with contemporary subject matter. He focuses on subjects that explore his observations and experience of life in the twenty-first century. The results are powerful images of American identity that confront injustice and inequity while imbuing his subjects with empathy and humanity. Valdez states, “My aim is to incite public remembrance and to impede distorted realities that I witness, like the social amnesia that surrounds us all.” Exhibitions and Collections include: The Ford Foundation, The Los Angeles County Museum of Art, MASS MoCA, The Museum of Fine Arts Houston, among others. He lives and works in Houston and Los Angeles.

Irene Mei Zhi Shum

Curator Irene Mei Zhi Shum is a highly regarded arts leader and strategist, known for building the operational & programming capacity of arts organizations, organizing ambitious exhibition projects, and championing the artists and designers with whom she works. She is skilled at creating and aligning programming with new initiatives and long-term objectives. Her curatorial practice explores the intersection of art and architecture and specializes in new commissions.

Jessica Holmes

A photo of Jessica Holmes on The Brooklyn Rail's New Social Environment

Jessica Holmes, a co-editor of the Artseen section for the Brooklyn Rail, has also contributed to its pages for over a decade. Her writing has also featured in BOMB, Hyperallergic, The New York Observer, Vanity Fair Spain, among many others, and has been included in over two dozen exhibition catalogues and monographs. Previously, Jessica worked for the Calder Foundation for nearly two decades, including six years as its Deputy Director.

The Rail has a tradition of ending our conversations with a poetry reading, and we're fortunate to have Dao Strom reading.

Dao Strom

A photo of Dao Strom on The Brooklyn Rail's New Social Environment
Artist Dao Strom works with three “voices”—written, sung, visual—to explore hybridity and the intersection of personal and collective histories. She is the author of Instrument (Fonograf Editions, 2020) and its musical companion Traveler’s Ode (Antiquated Future Records, 2020); a bilingual poetry-art book, You Will Always Be Someone From Somewhere Else (AJAR Press); a memoir, We Were Meant To Be a Gentle People, and song cycle, East/West; and two books of fiction, The Gentle Order of Girls and Boys and Grass Roof, Tin Roof. Born in Vietnam, Strom grew up in the Sierra Nevada foothills of California and lives in Portland, Oregon. She is co-founder of two collective art projects, She Who Has No Master(s), and De-Canon.

We’d like to thank The Marion Boulton Kippy Stroud Foundation and Teiger Foundation for making these conversations possible, and for their support of our growing archive 🌈✨

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