The sculptures, photographs and installations of Sabine Hornig re-envision architectural spaces and ubiquitous urban forms to explore the concepts of space, perspective and memory. At once rigorously formal and poetic, her work recontextualizes familiar places and structures such as­ storefront windows, urban facades, and school houses through overlapping perspectives and inversions of scale and dimension. Throughout the past two decades, Hornig has presented numerous solo exhibitions of her work as well as large architectural interventions in public spaces worldwide, including a site-specific installation commissioned by LaGuardia Gateway Partners in partnership with Public Art Fund (2020).

Independent critic, curator, and writer Lyle Rexer is the author of The Critical Eye: 15 Pictures to Understand Photography (Intellect Ltd 2019), The Edge of Vision: The Rise of Abstraction in Photography (Aperture 2009), and Photography’s Antiquarian Avant-Garde: The New Wave in Old Processes, (Harry N. Abrams 2002) and others. He has published hundreds of catalog essays and articles on art, architecture, and photography and contributed to such publications as The New York Times, Harper’s, Art in America, among others. He has lectured at many institutions, including the Metropolitan Museum of Art, the Whitney Museum of American Art, Yale University, among others, and he teaches in both the graduate and undergraduate programs at SVA.