Artist Annabeth Marks received her MFA in painting from the Milton Avery Graduate School of the Arts at Bard College and her BFA from Rhode Island School of Design. Recently, Marks’ work was the subject of an institutional solo exhibition at the John Michael Kohler Arts Center in Sheboygan, WI. Recent solo exhibitions include presentations at Franz Kaka, Toronto; Fahrenheit Madrid, Spain; Artist Curated Projects, Los Angeles, and White Columns, New York. Her work has been included in institutional group exhibitions at the Whitney Museum of American Art and MoMa PS1, both in New York, and the Rhode Island School of Design Museum, Providence, RI.
New York-based artist and writer David Rhodes is originally from Manchester, UK. He is an Editor-at-Large at the Brooklyn Rail and has published reviews in Artforum, artcritical, among other publications. He has paintings in the permanent collections of The Museum of Fine Arts Houston and The Huntington Museum, Los Angeles. He is the author of the monograph Bernard Frize (Lund Humphries, 2019) and has an essay included in the forthcoming book on the paintings of Peter Bradley to be published by Karma, New York, later this year.
The Rail has a tradition of ending our conversations with a poem, and
we’re fortunate to have
Anna Gurton-Wachter is a writer, editor, and archivist. She is the author of the full length collection Utopia Pipe Dream Memory (Ugly Duckling Presse, 2019) and seven chapbooks, most recently My Midwinter Poem (clones go home, 2020). Her work explores imagined communities, feminisms, and transformative influence. Anna edits and makes books with DoubleCross Press, works full time for The Keith Haring Foundation and part time for NYU.