EventsThe New Social Environment#531

Cabeza de Vaca: Walton Ford

Featuring Ford and Jason Rosenfeld

Tuesday, April 5, 2022 1 p.m. Eastern / 10 a.m. Pacific

These free events are produced by The Brooklyn Rail.

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Artist Walton Ford joins Rail Editor-at-Large Jason Rosenfeld for a conversation. We conclude with a poetry reading.

Walton Ford

A photo of Walton Ford on The Brooklyn Rail's New Social Environment
Artist Walton Ford’s expansive watercolor paintings appropriate the informative detail and narrative scope of traditional natural history art only to subvert its conventions. Representing touchpoints of cultural and natural history, he alludes to colonialism, extinction, and the ecological consequences of the Anthropocene epoch, tempering his works’ violence, tragedy, and eulogies for the natural world with moments of wit and satire. Ford is the recipient of several national awards and honors including a fellowship from the John Simon Guggenheim Memorial Foundation and the National Endowment for the Arts. Ford’s work has been featured at Bowdoin College Museum of Art, the Southeastern Center for Contemporary Art, and other institutions.

Jason Rosenfeld

A photo of Jason Rosenfeld on The Brooklyn Rail's New Social Environment
Distinguished Chair and Professor of Art History at Marymount Manhattan College Jason Rosenfeld, Ph.D., has curated the exhibitions John Everett Millais (Tate Britain, Van Gogh Museum), Pre-Raphaelites: Victorian Avant-Garde (Tate Britain and the National Gallery of Art, Washington, DC), and River Crossings (Olana and Cedar Grove, Hudson and Catskill, New York). He is a co-author of the monograph Cecily Brown (Phaidon, 2020), and a Senior Writer and Editor-at-Large for the Brooklyn Rail.

The Rail has a tradition of ending our conversations with a poetry reading, and we're fortunate to have Dao Strom reading.

Dao Strom

A photo of Dao Strom on The Brooklyn Rail's New Social Environment
Artist Dao Strom works with three “voices”—written, sung, visual—to explore hybridity and the intersection of personal and collective histories. She is the author of Instrument (Fonograf Editions, 2020) and its musical companion Traveler’s Ode (Antiquated Future Records, 2020); a bilingual poetry-art book, You Will Always Be Someone From Somewhere Else (AJAR Press); a memoir, We Were Meant To Be a Gentle People, and song cycle, East/West; and two books of fiction, The Gentle Order of Girls and Boys and Grass Roof, Tin Roof. Born in Vietnam, Strom grew up in the Sierra Nevada foothills of California and lives in Portland, Oregon. She is co-founder of two collective art projects, She Who Has No Master(s), and De-Canon.

We’d like to thank The Marion Boulton Kippy Stroud Foundation and Teiger Foundation for making these conversations possible, and for their support of our growing archive 🌈✨

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