The New Social Environment#531
Cabeza de Vaca: Walton Ford
Featuring Ford and Jason Rosenfeld
1 p.m. Eastern / 10 a.m. Pacific
This event is graciously supported by our friends at Gagosian and produced by The Brooklyn Rail. Learn how you can donate ✨🌈
Artist Walton Ford joins Rail Editor-at-Large Jason Rosenfeld for a conversation. We conclude with a poetry reading.
In this talk
Visit Cabeza de Vaca: Walton Ford, on view at Gagosian through April 23, 2022 →
Artist Walton Ford’s expansive watercolor paintings appropriate the informative detail and narrative scope of traditional natural history art only to subvert its conventions. Representing touchpoints of cultural and natural history, he alludes to colonialism, extinction, and the ecological consequences of the Anthropocene epoch, tempering his works’ violence, tragedy, and eulogies for the natural world with moments of wit and satire. Ford is the recipient of several national awards and honors including a fellowship from the John Simon Guggenheim Memorial Foundation and the National Endowment for the Arts. Ford’s work has been featured at Bowdoin College Museum of Art, the Southeastern Center for Contemporary Art, and other institutions.
Distinguished Chair and Professor of Art History at Marymount Manhattan College Jason Rosenfeld, Ph.D., has curated the exhibitions John Everett Millais (Tate Britain, Van Gogh Museum), Pre-Raphaelites: Victorian Avant-Garde (Tate Britain and the National Gallery of Art, Washington, D.C.), and River Crossings (Olana and Cedar Grove, Hudson and Catskill, New York). He is a co-author of the monograph Cecily Brown (Phaidon, 2020), and a Senior Writer and Editor-at-Large for the Brooklyn Rail.
The Rail has a tradition of ending our conversations with a poetry reading, and we’re fortunate to have Lee Ann Brown reading.
Lee Ann Brown
Poet, book publisher, and founding editor of Tender Buttons Press, Lee Ann Brown is the author of Other Archer (Presses Universitaires de Rouen et du Havre, 2015), In the Laurels, Caught (Fence Books, 2013), Crowns of Charlotte (Carolina Wren Press, 2013), The Sleep That Changed Everything (Wesleyan, 2003), and Polyverse (Sun & Moon Press, 1999), which won the 1996 New American Poetry Competition, selected by Charles Bernstein. In 1989, Brown founded Tender Buttons Press, which is dedicated to publishing experimental women’s poetry. She has taught at Brown University, Naropa University, Bard College, and elsewhere, and held fellowships with the MacDowell Colony, Yaddo, and others. From 2017–18, she was the Judith E. Wilson Poetry Fellow at Cambridge University.
❤️ 🌈 We'd like to thank the The Terra Foundation for American Art for making these daily conversations possible, and for their support of our growing archive.