EventsThe New Social Environment#479
Abstractions in Chinese Visual Culture and Aesthetics, Part II
Featuring Johnson Chang, David Humphreys, and Paul Gladston
Monday, January 24, 2022 8 p.m. Eastern / 5 p.m. Pacific
These free events are produced by The Brooklyn Rail.
Curator and art historian Johnson Chang and former Australian diplomat to Hong Kong David Humphreys join Rail contributor Paul Gladston for the second installment of a conversation on abstractions in Chinese visual culture and aesthetics. We conclude with a poetry reading by Maw Shein Win.
In this Talk
Please note to accommodate the varying time zones of our guests, this conversation will take place 8pm ET New York (Monday January 24); 9am CST Hong Kong & Beijing (Tuesday, January 25); 12pm AET Sydney (Tuesday January 25)
Johnson Chang

Curator and gallerist Johnson Chang is the founder of Hanart TZ Gallery in Hong Kong, is a co-founder of the Asia Art Archive (AAA) in Hong Kong, and a guest professor of the China Academy of Art in Hangzhou. He has been active in curating Chinese exhibitions since the 1980s, and was co-curator of Farewell to Post-Colonialism, the Guangzhou Triennial in 2008, the Shanghai Biennale in 2012, and East Meets West at Saatchi Gallery in 2014. Recent projects include Jia Li Hall, a series of research on Confucian rites and aesthetics; West Heavens, Sino Indian exchange in art and social thought; and Inter-Asia School, which organized the Inter-Asia Biennale Forums at the Shanghai Biennial, Gwangju Biennial, Taipei Biennial, and Kochi-Muziris Biennale in 2014 and 2016.
David Humphreys

Most recently, David Humphreys has been with the Australian corporate regulator, ASIC. He completed a Master of Laws at the University of Hong Kong, graduating with distinction in Chinese trade law, UK/Australian restitutionary remedies and the gamut of commercial security. David’s initial law degree was obtained at the University of Sydney. Prior to his regulatory role, David was for 19 years a political officer with the Australian Department of Foreign Affairs & Trade. David devoted more than four years to intensive Thai and Mandarin language training. His last posting as a diplomat was as Consul in Hong Kong in the years before and after the 1997 handover, focusing on China’s political economy.
Paul Gladston

Award-winning critical theorist and cultural historian Paul Gladston is the Judith Neilson Chair Professor of Contemporary Art, University of New South Wales, Sydney and a distinguished affiliate fellow of the UK-China Humanities Alliance, Tsinghua University. He is co-editor of the book series Contemporary East Asian Visual Cultures, Societies and Politics and was founding principal editor of the Journal of Contemporary Chinese Art. His recent publications include the collected edition Visual Culture Wars at the Borders of Contemporary China (2021) and the monograph Contemporary Chinese Art, Aesthetic Modernity and Zhang Peili: Towards a Critical Contemporaneity (2019). He was an academic adviser to Art of Change: New Directions from China, Hayward Gallery, London (2012).
The Rail has a tradition of ending our conversations with a poetry reading, and we're fortunate to have Dao Strom reading.
Dao Strom

Artist Dao Strom works with three “voices”—written, sung, visual—to explore hybridity and the intersection of personal and collective histories. She is the author of Instrument (Fonograf Editions, 2020) and its musical companion Traveler’s Ode (Antiquated Future Records, 2020); a bilingual poetry-art book, You Will Always Be Someone From Somewhere Else (AJAR Press); a memoir, We Were Meant To Be a Gentle People, and song cycle, East/West; and two books of fiction, The Gentle Order of Girls and Boys and Grass Roof, Tin Roof. Born in Vietnam, Strom grew up in the Sierra Nevada foothills of California and lives in Portland, Oregon. She is co-founder of two collective art projects, She Who Has No Master(s), and De-Canon.
We’d like to thank The Marion Boulton Kippy Stroud Foundation and Teiger Foundation for making these conversations possible, and for their support of our growing archive 🌈✨