EventsCommon Ground

Una Stanza Per Panza: Donald Judd

Featuring Amy Adler, Virginia Rutledge, and Joan Kee

Thursday, October 28, 2021 1 p.m. Eastern / 10 a.m. Pacific

These free events are produced by The Brooklyn Rail.

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Law Professor Amy Adler, art historian and attorney Virginia Rutledge, and Rail Editor-at-Large Joan Kee join for a conversation on Donald Judd’s “Una stanza per Panza,” published as a special edition in the Rail’s October issue. We conclude with a poetry reading by Sarah Ghazal Ali.

Amy Adler

A photo of Amy Adler on The Brooklyn Rail's New Social Environment
Emily Kempin Professor of Law at New York University School of Law Amy Adler teaches Art Law, First Amendment Law, and Feminist Jurisprudence. The Law School awarded her its Podell Distinguished Teaching Award in 2015. A leading expert on the intersection of art and law, Adler has lectured to a wide variety of audiences, from attorneys general to museum curators. Adler graduated from the Yale Law School, where she was a senior editor of the Yale Law Journal. She graduated summa cum laude from Yale University. Adler clerked for Judge John M. Walker Jr. of the US Court of Appeals for the Second Circuit and worked as an associate at Debevoise & Plimpton before joining the NYU Law faculty.

    Virginia Rutledge

    A photo of Virginia Rutledge on The Brooklyn Rail's New Social Environment
    Photo by Ben Gabbe/Patrick McMullan
    Art historian and attorney based in New York, Virginia Rutledge was formerly a curator for the Los Angeles County Museum of Art, a litigator at Cravath, Swaine & Moore LLP, and vice president and general counsel of Creative Commons. She is now in private practice focusing on intellectual property, contemporary art, and cultural organizations.

      Joan Kee

      A photo of Joan Kee on The Brooklyn Rail's New Social Environment
      Photo by Stuart Comer
      Professor Joan Kee teaches in the History of Art at the University of Michigan and is a Ford Foundation Scholar in Residence at MoMA. Her forthcoming book, The Geometries of Afro Asia: Art beyond Solidarity, engages with Black and Asian artists and the vibrant worlds they initiate through their works and will be released by the University of California Press this April. Kee’s other books include Models of Integrity: Art and Law in Post Sixties America (2019) and Contemporary Korean Art: Tansaekhwa and the Urgency of Method (2014). An occasional public interest lawyer in Detroit, she is an Editor-at-Large at the Brooklyn Rail.

        The Rail has a tradition of ending our conversations with a poetry reading, and we're fortunate to have Dao Strom reading.

        Dao Strom

        A photo of Dao Strom on The Brooklyn Rail's New Social Environment
        Artist Dao Strom works with three “voices”—written, sung, visual—to explore hybridity and the intersection of personal and collective histories. She is the author of Instrument (Fonograf Editions, 2020) and its musical companion Traveler’s Ode (Antiquated Future Records, 2020); a bilingual poetry-art book, You Will Always Be Someone From Somewhere Else (AJAR Press); a memoir, We Were Meant To Be a Gentle People, and song cycle, East/West; and two books of fiction, The Gentle Order of Girls and Boys and Grass Roof, Tin Roof. Born in Vietnam, Strom grew up in the Sierra Nevada foothills of California and lives in Portland, Oregon. She is co-founder of two collective art projects, She Who Has No Master(s), and De-Canon.

        We’d like to thank The Marion Boulton Kippy Stroud Foundation and Teiger Foundation for making these conversations possible, and for their support of our growing archive 🌈✨

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