New York based artist Josiah McElheny’s sculptures, paintings, installations, performances, and films engage with the history of ideas across wide-ranging fields of study—from literature to architecture, music theory, and astronomy—transforming this research into physical form. His works often combine glass or mirror with other materials, to emphasize the importance of the act of looking “as a subject in and of itself.” A skilled glassblower, McElheny frequently incorporates hand-blown and shaped glass within evocative assemblages, whose mode of presentation creates a sense of unsettled ideals, and a challenge to fixed definitions. The material serves as a productive agent, inciting chance encounters between forms and ideas that point toward alternative histories and futures.