The New Social Environment#269

Carrie Mae Weems with Paul D. Miller (aka DJ Spooky)

 

1 p.m. Eastern / 10 a.m. Pacific

Artist Carrie Mae Weems joins Rail Editor-at-Large Paul D. Miller for a conversation. We conclude with a poetry reading from Joy Priest.

Carrie Mae Weems

Carrie Mae Weems, Photo by Jerry Klineberg
Photo by Jerry Klineberg
(b. 1953 Portland, OR; lives and works in Syracuse, NY) is widely renowned as one of the most influential contemporary American artists living today. Over the course of nearly four decades, Weems has developed a complex body of work employing text, fabric, audio, digital images, installation, and video, but she is most celebrated as a photographer. Activism is central to Weems’ practice, which investigates race, family relationships, cultural identity, sexism, class, political systems, and the consequences of power. Over the last 30 years of her prolific career, Weems has been consistently ahead of her time and an ongoing presence in contemporary culture.

Paul D. Miller, aka DJ Spooky

Paul D. Miller (aka DJ Spooky)
Photo by Janeil Pietzrak
Paul D. Miller, aka DJ Spooky, is a composer, multimedia artist, and writer whose work immerses audiences in a blend of genres, global culture, and environmental and social issues. Miller has collaborated with an array of recording artists, including Metallica, Chuck D, Steve Reich, and Yoko Ono. His 2018 album, DJ Spooky Presents: Phantom Dancehall, debuted at #3 on Billboard Reggae.

The Rail has a tradition of ending our conversations with a poem, and we’re fortunate to have Joy Priest reading.

Joy Priest

A black and white photograph of poet Joy Priest in front of blurred lights and structures.
Landon Antonetti
The author of HORSEPOWER (Pitt Poetry Series, 2020), selected by U.S. Poet Laureate Natasha Trethewey as the winner of the Donald Hall Prize for Poetry. She is the recipient of a 2021 National Endowment for the Arts fellowship and the 2020 Stanley Kunitz Memorial Prize from the American Poetry Review. Her work has appeared in the Academy of American Poets’ Poem-a-Day series, the Atlantic, and Virginia Quarterly Review, among others.