EventsThe New Social Environment#259

Queer Communion: Ron Athey with Amelia Jones

Monday, March 22, 2021 1 p.m. Eastern / 10 a.m. Pacific

These free events are produced by The Brooklyn Rail.

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Artist Ron Athey joins art historian and professor Amelia Jones for a conversation. We’ll conclude with a poetry reading by Andrea Abi-Karam.

In this Talk

Ron Athey

A photo of Ron Athey on The Brooklyn Rail's New Social Environment
Ron Athey, Acephalous Monster, 2019, MoCA Skopje. Photo: Andreja Kargačin. Courtesy of Participant Inc.
(b. 1961) identifies as a self-taught artist, having, since 1980, life of experience in Los Angeles post-punk performance scenes. He has collaborated with performers, visual artists, and opera directors, participated in philosophy seminars, and has visiting artist teaching history at Cal Arts, Roski, UCLA, and Queen Mary University, London. Recent projects include, among others, Acephalous Monster at Performance Space NY, as well as community-based projects such as Gifts of the Spirit, a collectively authored automatic writing opera. Athey has received numerous grants and fellowships, most recently the Harpo Foundation Fellowship 2021. Upcoming projects include a live art/video production in collaboration with Hermes Pittakos, The Asclepeion.

Amelia Jones

A photo of Amelia Jones on The Brooklyn Rail's New Social Environment
Art historian, critic, and curator Amelia Jones is the Robert A. Day Professor and Vice Dean of Academics & Research in Roski School of Art & Design at USC. Amelia is the curator of the critically acclaimed exhibition Sexual Politics: Judy Chicago’s ‘Dinner Party’ in Feminist Art History at the Hammer Museum and most recently Queer Communion: Ron Athey at Participant, Inc., New York and ICA, Los Angeles. Recent publications include In Between Subjects: A Critical Genealogy of Queer Performance (Routledge Press, 2021), the anthology Otherwise: Imagining Queer Feminist Art Histories (Manchester University Press, 2016), and Seeing Differently: A History and Theory of Identification and the Visual Arts (Routledge Press, 2012).

The Rail has a tradition of ending our conversations with a poetry reading, and we're fortunate to have Dao Strom reading.

Dao Strom

A photo of Dao Strom on The Brooklyn Rail's New Social Environment
Artist Dao Strom works with three “voices”—written, sung, visual—to explore hybridity and the intersection of personal and collective histories. She is the author of Instrument (Fonograf Editions, 2020) and its musical companion Traveler’s Ode (Antiquated Future Records, 2020); a bilingual poetry-art book, You Will Always Be Someone From Somewhere Else (AJAR Press); a memoir, We Were Meant To Be a Gentle People, and song cycle, East/West; and two books of fiction, The Gentle Order of Girls and Boys and Grass Roof, Tin Roof. Born in Vietnam, Strom grew up in the Sierra Nevada foothills of California and lives in Portland, Oregon. She is co-founder of two collective art projects, She Who Has No Master(s), and De-Canon.

We’d like to thank The Marion Boulton Kippy Stroud Foundation and Teiger Foundation for making these conversations possible, and for their support of our growing archive 🌈✨

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