EventsThe New Social Environment#140
Suzan Frecon with Joan Waltemath and Louis Block
Tuesday, September 29, 2020 1 p.m. Eastern / 10 a.m. Pacific
These free events are produced by The Brooklyn Rail.
Artist Suzan Frecon will be in conversation with artists and Rail contributors, Joan Waltemath and Louis Block. We’ll conclude with a poetry reading from Pansy Maurer-Alvarez.
In this Talk
Suzan Frecon

Suzan Frecon is known for abstract oil paintings and works on paper. Her work embodies the durational activity of painting itself and invites the viewer’s sustained attention: these, she says, “are not pictures that you look at. They are paintings that you experience." In Frecon’s paintings, composition serves as a foundational structure, holding color, material, and light. Her compositions are characterized by asymmetrically balanced forms in precise spatial and proportional relationships. The artist mixes pigments and oils to differing effects, and her almost tactile use of color and contrasting matte and shiny surfaces heightens the visual experience of her work.
Joan Waltemath

Artist who grew up on the Great Plains and now lives and works in New York City. Drawing has long been at the root of her artistic practice, serving as a way of thinking though visual material in preparation for painting. Waltemath holds a BFA from the RI School of Design and an MFA from Hunter College, CUNY. Her engagement at the I. S. Chanin School of Architecture since the early 90’s has led to several collaborative projects with prominent architects in Berlin, New York and a project in Nebraska. She has written extensively on art and served as an editor-at-large for the Brooklyn Rail since 2001. She is the Director of MICA’s MFA program, the LeRoy E. Hoffberger School of Painting.
Louis Block

Louis Block is a Brooklyn-based painter and writer. His writing has appeared in the Brooklyn Rail, Hyperallergic, and Full Bleed Journal, and his work has been shown in New York, Baltimore, Philadelphia, New Jersey, and Venice.
The Rail has a tradition of ending our conversations with a poetry reading, and we're fortunate to have Dao Strom reading.
Dao Strom

Artist Dao Strom works with three “voices”—written, sung, visual—to explore hybridity and the intersection of personal and collective histories. She is the author of Instrument (Fonograf Editions, 2020) and its musical companion Traveler’s Ode (Antiquated Future Records, 2020); a bilingual poetry-art book, You Will Always Be Someone From Somewhere Else (AJAR Press); a memoir, We Were Meant To Be a Gentle People, and song cycle, East/West; and two books of fiction, The Gentle Order of Girls and Boys and Grass Roof, Tin Roof. Born in Vietnam, Strom grew up in the Sierra Nevada foothills of California and lives in Portland, Oregon. She is co-founder of two collective art projects, She Who Has No Master(s), and De-Canon.
We’d like to thank The Marion Boulton Kippy Stroud Foundation and Teiger Foundation for making these conversations possible, and for their support of our growing archive 🌈✨