EventsThe New Social Environment#94
Thelma Golden and Glenn Lowry with Helen Lee and Joachim Pissarro
Monday, July 27, 2020 1 p.m. Eastern / 10 a.m. Pacific
These free events are produced by The Brooklyn Rail.
Director and Curator of The Studio Museum in Harlem, Thelma Golden, and the Director of MoMA, Glenn Lowry, will be in conversation with Rail board member, Helen Lee and Rail Consulting Editor, Joachim Pissarro. We’ll conclude with a poetry reading from Anne Waldman.
In this Talk
Thelma Golden

Thelma Golden is Director and Chief Curator of The Studio Museum in Harlem, the world’s leading institution devoted to visual art by artists of African descent. Golden began her career as a Studio Museum intern in 1987. In 1988, she joined the Whitney Museum of American Art, where she launched her influential curatorial practice. Over a decade at the Whitney, she organized numerous groundbreaking exhibitions, including Black Male: Representations of Masculinity in American Art. She became Director of the The Studio Museum in 2005. Under her leadership, the Studio Museum has gained increased renown as a global leader in the exhibition of contemporary art, a center for innovative education, and a cultural anchor in the Harlem community.
Glenn Lowry

Glenn D. Lowry became the sixth director of The Museum of Modern Art in 1995. Leading a staff of over 750, Mr. Lowry continues the Museum’s legacy of enriching public life through exhibitions, educational programs, publications, and digital tools that challenge conventional ideas about modern and contemporary art and design, and initiatives that bring MoMA’s renowned collection and research to audiences worldwide. Mr. Lowry lectures and writes in support of contemporary art, on the role of museums in society, and on other topics related to his research interests. He also serves on the advisory council of the Department of Art History and Archaeology at Columbia University. In 2004, the French government honored Mr. Lowry with the title of Officier dans l’Ordre des Arts et des Lettres.
Helen Lee

Collector, academic, art advisor, art book editor, and auction house specialist Helen Lee has had many roles in the art world. She has worked at Christie’s, Harry N. Abrams Publishing, the Robert Miller Gallery, and for James Wolfensohn, among others. Her passion for the arts derives from her belief that art and culture provide vital means of communication across cultural and political divides. Helen is an advisor to the Milken Institute for its art and culture programming. She is the Chairman of the American Foundation for the Courtauld Institute of Art, where she completed her post-graduate studies after earning a BA from Harvard. Helen is a board member of the Rail.
Joachim Pissarro

Art historian, theoretician, curator, and educator Joachim Pissarro is director of the Hunter College Galleries and Bershad Professor of Art History at Hunter College. He has held positions at the Dallas Museum of Art, Kimbell Art Museum, MoMa, Philadelphia Museum of Art, Royal Academy of London, and the Yale University Art Gallery. Notable exhibitions Pissarro curated include Pioneering Modern Painting: Cézanne and Pissarro 1865–1885 (2005) and Out of Time: A Contemporary View (2006, with Eva Respini), which have toured internationally. Pissarro has served as the Editorial Director of Wildenstein Publications and is the author of numerous books, most recently, Wild Art, with art critic David Carrier and published by Phaidon Press. Pisarro is Consulting Editor of the Rail.
The Rail has a tradition of ending our conversations with a poetry reading, and we're fortunate to have Dao Strom reading.
Dao Strom

Artist Dao Strom works with three “voices”—written, sung, visual—to explore hybridity and the intersection of personal and collective histories. She is the author of Instrument (Fonograf Editions, 2020) and its musical companion Traveler’s Ode (Antiquated Future Records, 2020); a bilingual poetry-art book, You Will Always Be Someone From Somewhere Else (AJAR Press); a memoir, We Were Meant To Be a Gentle People, and song cycle, East/West; and two books of fiction, The Gentle Order of Girls and Boys and Grass Roof, Tin Roof. Born in Vietnam, Strom grew up in the Sierra Nevada foothills of California and lives in Portland, Oregon. She is co-founder of two collective art projects, She Who Has No Master(s), and De-Canon.
We’d like to thank The Marion Boulton Kippy Stroud Foundation and Teiger Foundation for making these conversations possible, and for their support of our growing archive 🌈✨