Over the last five decades Martin Puryear has created a body of work based on abstract organic forms rich with psychological, cultural, and historical references. His labor-intensive sculptures are made by hand at his studio in upstate New York. They combine practices adapted from many different traditions, including wood carving, joinery, and boat building, as well as more recent technology. As a student, Puryear studied ornithology, falconry, and archery, and in the 1960s he volunteered with the Peace Corps in west Africa, where he educated himself in the region’s indigenous crafts. Since then he has continued to travel extensively, observing a range of cultures and their unique approaches to object making.

Distinguished Chair and Professor of Art History at Marymount Manhattan College Jason Rosenfeld, Ph.D., has curated the exhibitions John Everett Millais (Tate Britain, Van Gogh Museum), Pre-Raphaelites: Victorian Avant-Garde (Tate Britain and the National Gallery of Art, Washington, DC), and River Crossings (Olana and Cedar Grove, Hudson and Catskill, New York). He is a co-author of the monograph Cecily Brown (Phaidon, 2020), and a Senior Writer and Editor-at-Large for the Brooklyn Rail.