John Pope-Hennessy Curator in Charge of European Paintings at The Met, Stephan Wolohojian received his PhD from Harvard University where he also worked as Head of the Division of European and American Art at the Harvard Art Museums.  He has held academic and museum positions and has curated many exhibitions and coordinated major reinstallations of permanent collections.  Among his projects at The Met was the exhibition Manet/Degas and overseeing the highly acclaimed reinstallation of the pre-1800 collection of European Paintings in the museum’s renovated skylit galleries.

Professor at the Institute of Fine Arts, NYU Alexander Nagel’s interest in art and religious reform produced Michelangelo and the Reform of Art (2000, winner of the Renaissance Society of America’s Gordan book prize), and The Controversy of Renaissance Art (2011, winner of the College Art Association’s Morey book prize). His interest in the multiple temporalities of art led to the publication of Anachronic Renaissance (co-authored with Christopher Wood, 2010) and Medieval Modern: Art out of Time (2012). His current work addresses questions of orientation and configurations of place in Renaissance art and culture. In 2016, he received an NEH Fellowship for a collaborative project (with Elizabeth Horodowich, NMSU) entitled Amerasia: A Renaissance Discovery.