Antoni Muntadas’s works address social, political and communications issues, and the relationship between public and private space within social frameworks. He investigates channels of information and the ways they may be used to censor central information or promulgate ideas. Since 1995, Muntadas has grouped together a set of works and projects titled On Translation. Their content, dimensions and materials are highly diverse, and they all focus on the author’s personal experience and artistic activity in numerous countries over a period of forty years. By grouping such works together under this epigraph, Muntadas places them within a body of experience and concrete concerns regarding communication, the culture of our times and the role of the artist and art in contemporary society.

Marshall Reese is a Brooklyn-based artist working in video, information networks, custom hardware and software, limited editions, and temporary public art events. Since the mid-eighties he has collaborated with Nora Ligorano as Ligorano Reese. Their work is an ongoing investigation into the impact of technology on society and the rhetoric of politics and visual culture in the media. LigoranoReese have presented seven site-specific public works at the U.S. political conventions focusing on the climate crisis and political issues.

Eleanor Heartney has been writing about art since 1981. She is a longtime contributor to Art in America, Contributing Editor to Artpress, Editor at Large for the Brooklyn Rail, and has written extensively on contemporary art issues for Artnews, Artnet, Art and Auction, the Washington Post and the New York Times. Heartney was the 1992 recipient of the College Art Association’s Frank Jewett Mather Award for distinction in art criticism and was honored in 2008 by the French government as a Chevalier dans l’Ordre des Arts et des Lettres. Her most recent book is the co-authored Mothers of Invention: the Feminist Roots of Contemporary Art.