Aruna D’Souza writes about modern and contemporary art; intersectional feminisms and other forms of politics; and how museums shape our views of each other and the world. Her work appears regularly in 4Columns.org and she is a contributor to The New York Times. Her writing has also appeared in The Wall Street Journal, Art News, Garage, Bookforum, Frieze and Art in America among several other places. Her book, Whitewalling: Art, Race, and Protest in 3 Acts (Badlands Unlimited), was named one of the best art books of 2018 by the New York Times. Her most recent editorial project is Linda Nochlin’s Making It Modern: Essays on the Art of the Now (Thames & Hudson, 2022). She is the recipient of the Rabkin Prize as well as an Andy Warhol Foundation Grant.

Distinguished Chair and Professor of Art History at Marymount Manhattan College Jason Rosenfeld, Ph.D., has curated the exhibitions John Everett Millais (Tate Britain, Van Gogh Museum), Pre-Raphaelites: Victorian Avant-Garde (Tate Britain and the National Gallery of Art, Washington, DC), and River Crossings (Olana and Cedar Grove, Hudson and Catskill, New York). He is a co-author of the monograph Cecily Brown (Phaidon, 2020), and a Senior Writer and Editor-at-Large for the Brooklyn Rail.