Stuart Comer is MoMA’s Lonti Ebers Chief Curator of Media and Performance. He oversees the collection and diverse program of exhibitions, events, and acquisitions for the Department of Media and Performance. He also leads the Marie-Josée and Henry Kravis Studio, the Museum’s space dedicated to performance, music, sound, spoken word, and expanded approaches to the moving image. Some of his recent projects at MoMA have included Adam Pendleton: Who Is Queen? (2021), and member: Pope.L, 1978–2001 (2019), among others. He is co-curator of Signals: Video and Electronic Democracy. Comer was co-curator of the Whitney Museum of American Art’s 2014 Biennial and he served as the first Curator of Film at Tate Modern, London, from 2004 to 2013.

Curator Rachel Federman is Associate Curator of Modern and Contemporary Drawings at The Morgan Library & Museum. Before joining The Morgan in 2016, she was Assistant Curator of Painting and Sculpture at SFMOMA, where she helped organize the retrospective BRUCE CONNER: IT’S ALL TRUE. She also curated the museum’s inaugural galleries of California art. Since arriving at The Morgan, she has curated By Any Means: Contemporary Drawings from The Morgan (2019) and Drawing the Curtain: Maurice Sendak’s Designs for Opera and Ballet (2019). She has published essays on Bruce Conner, Richard Diebenkorn, Paul McCarthy, Allen Ruppersberg, and Andy Warhol, among others. Rachel holds a PhD in Art History from the Institute of Fine Arts, New York University.

Curator and writer Constance Lewallen (1939-2022) was Adjunct Curator at the University of California Berkeley Art Museum and Pacific Film Archive, where she curated many contemporary art exhibitions, including Ant Farm (1968-1978), 2004 (co-curated with Steve Seid), A Rose Has No Teeth: Bruce Nauman in the 1960s, 2007, and co-curated Stephen Kaltenbach: The Beginning and the End for the Manetti Shrem Museum at UC Davis. She is the author of 500 Capp Street: David Ireland’s House and co-author with Dore Bowen of Bruce Nauman: Spatial Encounters, both published by UC Press. She was an Editor-at-Large for the Brooklyn Rail.