Artist Alison Elizabeth Taylor is known for transforming the historic technique of marquetry or wood inlay into a new form: marquetry hybrid—a novel synthesis of media and process that incorporates inlaid wood, painting, and collaged textures to create a new perspective on painting. Taylor casts a critical and compassionate eye across the breadth of contemporary American experience and pays respect to the innate humanity of her subjects through her choice of this extraordinarily demanding medium. In 2022, Taylor will be the subject of a major museum survey exhibition. Organized by the Addison Gallery of American Art in Andover, Massachusetts, this touring exhibition will open at Des Moines Art Center in October 2022 with more than 40 career-spanning works.

Distinguished Chair and Professor of Art History at Marymount Manhattan College Jason Rosenfeld, Ph.D., has curated the exhibitions John Everett Millais (Tate Britain, Van Gogh Museum), Pre-Raphaelites: Victorian Avant-Garde (Tate Britain and the National Gallery of Art, Washington, DC), and River Crossings (Olana and Cedar Grove, Hudson and Catskill, New York). He is a co-author of the monograph Cecily Brown (Phaidon, 2020), and a Senior Writer and Editor-at-Large for the Brooklyn Rail.