EventsThe New Social Environment#290
Noel Anderson with Robert Shane
Tuesday, May 4, 2021 1 p.m. Eastern / 10 a.m. Pacific
These free events are produced by The Brooklyn Rail.
Artist Noel Anderson joins professor and Rail critic Robert Shane for a conversation. We conclude with a poetry reading from Johannes Göransson.
In this Talk
Noel Anderson

Area Head of Printmaking in NYU’s Steinhardt Department of Art and Art Professions, Noel W. Anderson received an MFA from Indiana University in Printmaking, and an MFA from Yale University in Sculpture. Anderson utilizes print-media and arts-based-research to explore philosophical inquiry methodologies. He primarily focuses on the mediation of socially constructed images on identity formation as it relates to black masculinity and celebrity. In 2018, Noel was awarded the NYFA artist fellowship grant and the prestigious Jerome Prize. His solo exhibition Blak Origin Moment debuted at the Contemporary Arts Center (Cincinnati) in February 2017 and travelled to the Hunter Museum of American Art in October 2019. His first monograph, Blak Origin Moment, was also recently published.
Robert Shane

Art critic, curator, and art historian Robert R. Shane received his PhD in art history and criticism at Stony Brook University where he studied with Donald Kuspit. Robert frequently writes The Brooklyn Rail, and his scholarly work on gender and the politics of shame has been published in the feminist philosophy journal Hypatia. He is currently associate professor of art history at the Center for Art and Design, Albany, NY, and a 2021 Guest Curatorial Consultant at the University Art Museum at the University at Albany. Robert’s current book project in progress is titled Mirroring Mothers: Witnessing Maternal Subjectivity in Contemporary Art.
The Rail has a tradition of ending our conversations with a poetry reading, and we're fortunate to have Dao Strom reading.
Dao Strom

Artist Dao Strom works with three “voices”—written, sung, visual—to explore hybridity and the intersection of personal and collective histories. She is the author of Instrument (Fonograf Editions, 2020) and its musical companion Traveler’s Ode (Antiquated Future Records, 2020); a bilingual poetry-art book, You Will Always Be Someone From Somewhere Else (AJAR Press); a memoir, We Were Meant To Be a Gentle People, and song cycle, East/West; and two books of fiction, The Gentle Order of Girls and Boys and Grass Roof, Tin Roof. Born in Vietnam, Strom grew up in the Sierra Nevada foothills of California and lives in Portland, Oregon. She is co-founder of two collective art projects, She Who Has No Master(s), and De-Canon.
We’d like to thank The Marion Boulton Kippy Stroud Foundation and Teiger Foundation for making these conversations possible, and for their support of our growing archive 🌈✨