EventsThe New Social Environment#215

Lisa Pearson with Constance Lewallen

Tuesday, January 19, 2021 1 p.m. Eastern / 10 a.m. Pacific

These free events are produced by The Brooklyn Rail.

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Founder and publisher of Siglio Press Lisa Pearson joins curator and Rail Editor-at-Large Constance Lewallen. We conclude with a poetry reading from Adam DeGraff.

In this Talk

About Siglio

Siglio publishes uncommon books that live in the rich and varied space between art & literature. It is a small, fiercely independent press driven by its feminist ethos and its commitment to writers and artists who obey no boundaries, pay no fealty to trends, and invite readers to see the world anew by reading word and image in provocative, unfamiliar ways. Siglio books—authored by Joe Brainard, Marcel Broodthaers, John Cage, Sophie Calle, Karen Green, Dorothy Iannone, Ray Johnson, Jess, Nancy Spero, Cecilia Vicuña, among many others—have received devoted readerships as well as critical accolades from New York TimesThe New YorkerNew York Review of BooksTimes Literary SupplementLondon Review of BooksLos Angeles Times, and Bookforum among many others. Siglio has also earned two AIGA 50 Books/50 Covers awards for book design, and a French Voices Award for Excellence in Publishing and Translation.

Siglio was founded in 2008 in Los Angeles by Lisa Pearson and moved in 2016 to the Hudson River Valley. You can read the Siglio manifesto “On the Small & Contrary,” (originally published in the American Book Review), a set of short essays in Tupelo Quarterly’s Forum on the Feminist Poetics of the Archives, as well as interviews by Lisa Mecham in The Rumpus, by Steve Heller on IMPRINT, by Thomas Evans (part one and part two) on Artbook.com, and more at The Believer LoggerEssay Daily, and VIDA: Women in the Literary Arts.

Lisa Pearson

A photo of Lisa Pearson on The Brooklyn Rail's New Social Environment
Courtesy Richard Kraft
Lisa Pearson is the founder and publisher of Siglio, an independent press dedicated to published uncommon books that live in the rich and varied space between art and literature. She is the editor or co-editor of several books, including those by Nancy Spero, Dorothy Iannone, Mirtha Dermisache, Joe Brainard, and Robert Seydel as well as It Is Almost That: A Collection of Image+Text Work by Women Artists & Writers.

Constance Lewallen

A photo of Constance Lewallen on The Brooklyn Rail's New Social Environment
Curator and writer Constance Lewallen (1939-2022) was Adjunct Curator at the University of California Berkeley Art Museum and Pacific Film Archive, where she curated many contemporary art exhibitions, including Ant Farm (1968-1978), 2004 (co-curated with Steve Seid), A Rose Has No Teeth: Bruce Nauman in the 1960s, 2007, and co-curated Stephen Kaltenbach: The Beginning and the End for the Manetti Shrem Museum at UC Davis. She is the author of 500 Capp Street: David Ireland’s House and co-author with Dore Bowen of Bruce Nauman: Spatial Encounters, both published by UC Press. She was an Editor-at-Large for the Brooklyn Rail.

    The Rail has a tradition of ending our conversations with a poetry reading, and we're fortunate to have Dao Strom reading.

    Dao Strom

    A photo of Dao Strom on The Brooklyn Rail's New Social Environment
    Artist Dao Strom works with three “voices”—written, sung, visual—to explore hybridity and the intersection of personal and collective histories. She is the author of Instrument (Fonograf Editions, 2020) and its musical companion Traveler’s Ode (Antiquated Future Records, 2020); a bilingual poetry-art book, You Will Always Be Someone From Somewhere Else (AJAR Press); a memoir, We Were Meant To Be a Gentle People, and song cycle, East/West; and two books of fiction, The Gentle Order of Girls and Boys and Grass Roof, Tin Roof. Born in Vietnam, Strom grew up in the Sierra Nevada foothills of California and lives in Portland, Oregon. She is co-founder of two collective art projects, She Who Has No Master(s), and De-Canon.

    We’d like to thank The Marion Boulton Kippy Stroud Foundation and Teiger Foundation for making these conversations possible, and for their support of our growing archive 🌈✨

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