EventsCommon Ground

On the Black Art Library

Weekly conversations with activists, social justice practitioners, and changemakers.

Thursday, November 5, 2020 1 p.m. Eastern / 10 a.m. Pacific

These free events are produced by The Brooklyn Rail.

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Please join us for a conversation on the Black Art Library in Detroit, featuring founder Asmaa Walton with Alexis Assam & Jasmine Weber.

In this Talk

Please join us for our tenth installment of Common Ground for a conversation on the Black Art Library in Detroit, featuring founder & curator Asmaa Walton with curator Alexis Assam and art writer Jasmine Weber. They will discuss the evolution of the Black Art Library – a catalog of books on Black visual art and culture that began coming together earlier this year and which will become a public-facing archive, research library, and collection of art books, children’s books, exhibition catalogues, biographies, monographs, and ephemera on Black visual arts and artists. They will also touch on arts accessibility and arts education, on filling in the gaps where institutional libraries and museum collections have failed to substantially invest – and how to chart a course for shifting value and shifting resources back into our own communities.

The project is currently fundraising to expand its collection and acquire a brick-and-mortar space in Detroit, MI, and will be on view at the Museum of Contemporary Art Detroit (MOCAD) in early 2021. Until then, peruse its stacks virtually via its viral Instagram page, read more on the Black Art Library’s fundraising page, and donate today. This conversation will be moderated by Malvika Jolly, and will close with a poetry reading by Karisma Price.

“The Black Art Library will be a space where people of all ages can come to spend time with these books and learn things that they did not have the opportunity to learn in school or at home. It will be a place local students can come to do research for a project, self-taught artists can come be inspired by images that they see between the pages, and art lovers can spend a day falling in love with the work of an artist they had never even heard about before.” –Asmaa Walton

Asmaa Walton

A photo of Asmaa Walton on The Brooklyn Rail's New Social Environment
Courtesy of Asmaa Walton
A Detroit native and founder of the Black Art Library, a collection of books she began curating on Black visual arts in early 2020. The Black Art Library will be a public-facing archive, research library, and collection of art books, children’s books, exhibition catalogues, biographies, and ephemera on Black visual arts and artists intended to be an educational resource for the Black community and beyond.

    Alexis Assam

    A photo of Alexis Assam on The Brooklyn Rail's New Social Environment
    Alexis Assam is a curator with a dual focus on contemporary and arts of the African diaspora.

      Jasmine Weber

      A photo of Jasmine Weber on The Brooklyn Rail's New Social Environment
      Jasmine Weber is a writer, editor, and visual focused on Black art histories and visual culture. As Hyperallergic’s news editor, she reports on art workers’ challenging power dynamics in the arts sector and recent efforts to carve out a more equitable future for the creative industries and beyond.

        The Rail has a tradition of ending our conversations with a poetry reading, and we're fortunate to have Dao Strom reading.

        Dao Strom

        A photo of Dao Strom on The Brooklyn Rail's New Social Environment
        Artist Dao Strom works with three “voices”—written, sung, visual—to explore hybridity and the intersection of personal and collective histories. She is the author of Instrument (Fonograf Editions, 2020) and its musical companion Traveler’s Ode (Antiquated Future Records, 2020); a bilingual poetry-art book, You Will Always Be Someone From Somewhere Else (AJAR Press); a memoir, We Were Meant To Be a Gentle People, and song cycle, East/West; and two books of fiction, The Gentle Order of Girls and Boys and Grass Roof, Tin Roof. Born in Vietnam, Strom grew up in the Sierra Nevada foothills of California and lives in Portland, Oregon. She is co-founder of two collective art projects, She Who Has No Master(s), and De-Canon.

        We’d like to thank The Marion Boulton Kippy Stroud Foundation and Teiger Foundation for making these conversations possible, and for their support of our growing archive 🌈✨

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