EventsThe New Social Environment#139
Kota Ezawa with Constance Lewallen
Monday, September 28, 2020 1 p.m. Eastern / 10 a.m. Pacific
These free events are produced by The Brooklyn Rail.
Artist Kota Ezawa will be in conversation with curator and Rail Editor-at-Large Constance Lewallen. We’ll conclude with a poetry reading from Tom Kozlowski.
In this Talk
Kota Ezawa

Kota Ezawa (b. 1969 in Cologne, Germany) lives and works in Oakland, CA. Ezawa’s work has been shown in solo exhibitions at Baltimore Museum of Art; SITE Santa Fe; Contemporary Jewish Museum, San Francisco; Hayward Gallery Project Space, London, UK; and Wadsworth Atheneum Museum of Art. Ezawa participated in the 2019 Whitney Biennial and Shanghai Biennale 2004. He received a Louis Comfort Tiffany Foundation Award in 2003; a SECA Art Award in 2006 and a Eureka Fellowship in 2010.
Constance Lewallen

Curator and writer Constance Lewallen (1939-2022) was Adjunct Curator at the University of California Berkeley Art Museum and Pacific Film Archive, where she curated many contemporary art exhibitions, including Ant Farm (1968-1978), 2004 (co-curated with Steve Seid), A Rose Has No Teeth: Bruce Nauman in the 1960s, 2007, and co-curated Stephen Kaltenbach: The Beginning and the End for the Manetti Shrem Museum at UC Davis. She is the author of 500 Capp Street: David Ireland’s House and co-author with Dore Bowen of Bruce Nauman: Spatial Encounters, both published by UC Press. She was an Editor-at-Large for the Brooklyn Rail.
The Rail has a tradition of ending our conversations with a poetry reading, and we're fortunate to have Dao Strom reading.
Dao Strom

Artist Dao Strom works with three “voices”—written, sung, visual—to explore hybridity and the intersection of personal and collective histories. She is the author of Instrument (Fonograf Editions, 2020) and its musical companion Traveler’s Ode (Antiquated Future Records, 2020); a bilingual poetry-art book, You Will Always Be Someone From Somewhere Else (AJAR Press); a memoir, We Were Meant To Be a Gentle People, and song cycle, East/West; and two books of fiction, The Gentle Order of Girls and Boys and Grass Roof, Tin Roof. Born in Vietnam, Strom grew up in the Sierra Nevada foothills of California and lives in Portland, Oregon. She is co-founder of two collective art projects, She Who Has No Master(s), and De-Canon.
We’d like to thank The Marion Boulton Kippy Stroud Foundation and Teiger Foundation for making these conversations possible, and for their support of our growing archive 🌈✨