fathermouth
Word count: 562
Paragraphs: 33
fathermouth
who said pivoting isn’t pressure
doesn’t come with its own headwind
sometimes i blame you
for decisions i made
say you defeated me
or i’m defeated by you
but really
i’ve been distracted by a demon
we’ve come to love
casting you out was elemental
rarely evental
just a slow bone-deep static
i learned to speak
in the afterimage
of your silence
once i believed forgiveness
a verb of distance
a poethic interval
a way to keep me holy
and far
but weather became scar
and you
a collapsed architecture
shaped my ick
you ghost me
until the form needs a body
your love
a clerical error
your dying
a murmur of mercy
in a drawl i outgrew
a quiet rehearsal
for my release
how strange to pray
for the one
who unmade my heart
every sentence i form
still limping toward you
hurt as inheritance
grammar as grief
half erased by time
i mouth your name
like an old psalm
each syllable a tether
each prayer
a failure at bittering
paper-cut daddy
you arrive by margin
daddy as fallacy
as systemic glitch
in my making
as flicker
as milky text
the body re-members
what silence re-fuses
your hot guinness breath
your brick absence
all untranslatable bruise
let’s call it ambivalence
though it’s become
our faith
i won’t fix my face
to make your need
look legal
still
i’ve dreamt your hands clean
a miracle
i no longer expect
the hum of a man relic
buried in lines of gore
i learned to speak
inside your fracture
“little girl”
is what you call me
after my existence
dragged your voice
into its own coffin
of memory
if time can atone
let rot turn scriptural
let my cells lay it down
before spirit reenters
let my back
be all the dispensation
you see
repair—
a thin reed of freedom
i keep digging into
spent earth
your mind now
a field of locusts
the past fluttering
you thin-skinned
what you sowed
blooms in ruin
pops,
there’s no grace left
to cosign
things are just
living
and dead
between us
sadé powell
sadé powell is a concrete poet based in staten island, ny. inspired by growing up across every borough, she uses the sonic, kinesthetic, and linguistic capacities of her 1930s royal typewriter to deploy dissemblance as black vernacularity. she is the author of wordtomydead (ugly duckling presse), which received the 2025 anna rabinowitz award, and periodluv (belladonna* collaborative). her debut collection dontbeabitterbtch is out now with selva oscura press.