Poetry is Not a Luxury

Portrait of Pamela Sneed, pencil on paper by Phong H. Bui.
Word count: 1227
Paragraphs: 17
Pamela Sneed, Audre Lorde, 2024. Watercolor, 9 x 12 inches. Courtesy the artist.
Poetry is Not a Luxury
In remarkably difficult times such as these
Times of monumental and colossal cruelty
In the face of an immoral and corrupt government
Where violence, hunger and theft abound
With wars against everything I am and hold dear
In Gaza, The Ukraine, Congo wars and in this country
against Black People, People of Color, immigrants
working class and poor people, women, Trans and Queer people
To see the dismantling of DEI, affirmative action programs
and initiatives that were meant to level the playing field
for those historically and systemically excluded
(I owe my first chance at higher education to Affirmative Action)
To see the destruction of education and book banning
I am eerily reminded of Pol Pot
In this time of great atrocities, massive cuts to Medicaid
and social security—For a sense of moral compass
direction, faith, courage, I turn to poetry
like a raft in flood waters or in cases of emergency a box
with instructions on how to survive
I turn to poets like Audre Lorde, June Jordan and more
I reread Lorde’s essays, The Transformation of Silence into Language
and Action and Poetry is Not a Luxury
Every class I teach begins with these readings and
the late Dorothy Allison’s essay Deciding to Live as a guide
I regard myself as an activist, champion for social justice
And words poetry, visual art, music, art criticism is my artillery
I often think of a quote embedded on the walls of The New School
by bell hooks “critical thinking saved my life.”
Interdisciplinary art is the weapon I use to combat depression, despair
And the myriad of isms that plague us
This said, I’m honored to be the Guest Critic at the Brooklyn Rail,
It is a great responsibility in this time.
Many of us are disheartened, fearful and angry given this current regime
I tried to think of work that could inspire, rally, and provide a way forward.
I turned to poets, visual artists, critics, some colleagues, some co-conspirators,
friends, activists that I admire and consider beacons in their communities.
I asked them to send poetry, essays, visual art and to meditate on the theme of Audre Lorde’s “Poetry is Not a Luxury.” This essay is particularly meaningful to me because we’ve been conditioned in this country to believe poetry and art in all mediums is extracurricular, a hobby, or pastime. Poetry in particular is regarded as something that is done in elementary school, and is cute and insignificant like a peppermint or lollipop. Most adult people will preface a poem before speaking as little. “I’m going to recite a little poem,” they say, to impart how minimal, non-invasive, and small a poem is. We’ve also experienced or seen in times of immense budget cuts in schools, the first thing to go is art and arts funding. We are also now in an era where we are being conditioned to pay for and value technology more than the artists who fuel content. So art and poetry is on our lowest list of priorities, but it is one of the things that can give our lives purpose and beauty and create connectedness between people. I find it interesting that during the COVID pandemic where people weren’t forced out of their homes into mindlessly working just to survive, many returned to music or a long lost art practice. Without mind and soul numbing work, many also had the wherewithal to stand up to the injustice of police brutality and the murder of George Floyd.
To underscore these points about the crucial nature of art, in an unpublished epic poem America Ain’t Ready, which is also the title of a forthcoming book, I ask the reader, listener to imagine a world without art, without words, images, music: “Imagine life if you’d never heard a song or melody…” I could go on, with this folio, this gathering I hope to impart to you the feelings that I had receiving, reading and viewing these many entries. I felt filled with awe, hope, love, beauty and promise. The day was winter, it was freezing cold, but all around, in the presence of such great voices and artistry, I felt warm.
A Stolen Election
Contrary to what’s been stated and the white man from
Shark Tank who tweeted after the election
Congratulations Mr Trump You’ve won the election fair and square
Contrary to all those on the left pointing fingers trying to place blame
for the catastrophe
I have to interject and say Dear people please you must understand
this too was a stolen election
From the time before and after an angry mob converged on
the Capitol in January 2021 attempting to physically change the election results
From the time they defecated on the desk of Nancy Pelosi
smeared feces on walls
Contrary to reports people did die that day
an insurrection led by the former President who describes it now
as a day of love
This same man a convicted felon broke all rules was allowed
to run for office again
Whereas if he’d received the same treatment as P Diddy Combs.
He wouldn’t be heard from again
But even liberals everyone supports and easily accepts the criminality
and incarceration of Black men
Besides the fact the new Trump Presidency was basically bought
by a white billionaire who says he developed an app
that could track election results before anyone
Not to mention all the bad theater and assassination attempts
the big bandaids on his and his followers ears
Trump never followed protocol
Never went to the hospital
We never heard from the shooters family or anyone
all of which was manipulation of the Public
If you’ve read my newest book
You know I go in on the film Queen & Slim by Lena Waithe
After the black fugitives shoot a cop they go on the run
hiding as they say in plain sight
She wears a tiger striped mini dress and high heels
He wears a velvet jogging suit
They drive an uncle’s Cadillac
It all seemed so ludicrous
But it’s basically the same strategy Trump and his cronies used
to steal the election
Allowed to say and do things any of us would be fired for
or be incarcerated condemned
Using this strategy of hiding in plain sight
we even helped him
The media, the citizens, the law
COWBOY CARTER
To be clear
Beyoncé’s new country album is my favorite of all her music
The others I could barely listen
She always struck me as someone wealthy enough to
try on any identity she pleased
For me she’s more orchestrated than authentic
Like if she and Jay Z are supposed to be so revolutionary or
pro black why did Jay Z dis Colin Kaepernick who
stood up to the NFL on racism and police brutality
And why did Beyoncé sing and sample Tina Turner’s
famous abuse by Ike
Questions aside in Cowboy Carter
I can hear black roots of country music
The banjo the imagery
a few songs remind me too of Big Mama Thornton’s music
I still don’t think though I can join the beehive
But what fascinates me is how her marketing mobilizes us
youth and adults to buy thousand dollar tickets
Invest in the opera of whether she’s allowed in country music
How many Grammys she’s got
Her quest for album of the year
Whether or not Jay Z cheated on her etc
Treating her as if she’s some civil rights diva
And the internet has her name and music on rotation
like every three seconds
And we out here fighting for Beyoncé
while every other second Israel bombs Gaza
Hospital homes gutted
Women children men decapitated dismembered starved
So many atrocities
I turn away sickened
fighting for Beyoncé
while I know if we were mobilized against war
instead of to buy stuff and sleep
This world could change.
Pamela Sneed is a poet, performer, visual artist, and art critic. She is the author of Funeral Diva (City Lights, 2020). Funeral Diva won the Lambda Lesbian Poetry Award. 2021 She teaches across disciplines in Columbia Universities School of the Arts, MFA in Visual Artist. She is currently touring with her one woman show and band, A Tribute to Big Mama Thornton.