Word count: 398
Paragraphs: 2
the whole universe moves around us who would want to be right
in that situation it is better to keep looking about the more recent
kinds not to mention that you can't let books know the world outside
in bed he said "They go on and off for solace" I did not my mental borders
acquired a small splinter on the edge I wasn't aware that I was molecules
mind is a car I am driving away from how I think about things with my hand
writing resting happened multiple times for me, but recently I don't
want to know whether an 8-year old thinking of nothing but words
or my early 20s sitting at the Midtown wanting to write poems
on a molecular level I had cells in my hands there was blood on something
that you're currently going through in the future I will feel sometimes
to summon a lifetime of trauma to wave hello for writing back first
that it's conscious influence but when I ask later he says he did
not realize it, has this only happened once, the hearing wants to be 360 degrees
720, 1440, etc but we are the one while there were wood and hand molecules
the reddish tinge of empty space a pint on an old wooden table I studied
away until the words aren't discernible are electrically physical and movable
so I change them to deform and then reform my thoughts accommodates
movement within atoms what would that even matter if I could convey
what I wanted, it was finished unfinished, my perspective already altered
standing next to Dad trying to think about feeling writing from every poem
I've ever written I used to think it was a trance but realized
I was pressing through lettering by hearing it (therefore resistant)
when I hear used vocabulary from our shared direction
Edmund Berrigan is the author of More Gone (City Lights, 2019). He is co-editor with Anselm Berrigan, Alice Notley, and Nick Sturm of Get the Money (Collected Prose 1961-1983) by Ted Berrigan (City Lights, 2022).