October 2022
Featuring interviews with Nash Glynn, Suzanne Jackson, Matthew Ritchie, and Thomas Ruff. Guest Critic Francis M. Naumann: “First Encounters with Marcel Duchamp.”
The “October 2022” Issue of the Brooklyn Rail was published on October 5, 2022.
Critics Page
First Encounters with Marcel Duchamp
– By Francis M. NaumannThree Encounters with Marcel Duchamp
– By Carroll JanisMeeting Duchamp
– By Calvin Tomkins1968: Before and After
– By Dawn AdesNo Endgame in Sight
– By Bradley BaileyInfinite Encounter
– By Lars BlunckWhy Fountain Matters as Never Before
– By Thierry de DuveFrom Manuport to Readymade
– By Pablo EchaurrenÉtant donnés
– By Elena FilipovicBitten
– By Paul B. FranklinNothing Literary in the Accepted Sense
– By Andre GervaisIntrusions into the Enchanter's Domain
– By Thomas GirstDiscovering Duchamp through the "Fourth Dimension" in 1971
– By Linda Dalrymple HendersonCarambolage
– By Rudolf HerzLooking Back
– By Herbert MolderingsIn Advance of the Broken Arm
– By Molly NesbitSeeing Duchamp's Coffee Mill at the Tate: First Encounter of a Lasting Kind
– By Michael TaylorReadymade Statements
– By Mike Bidlo
Publisher's Message
Dear Friends and Readers,
– By Phong H. Bui
ArtSeen
Julie Curtiss: Somnambules
– By Jason RosenfeldAlix Le Méléder: LES GRANDES ROUGES
– By Joe FyfeYuri Yuan: Dark Dreams
– By Vanilla AnandamJorge Galindo: Verbena
– By Amanda Millet-SorsaPeter Sacks: Above Our Lands
– By Jonathan GoodmanSharon Butler: NEXT MOVES
– By Adam SimonHere We Are: Young, Black, and Indigenous Women in the Art World
– By William CorwinLeland Bell: Paint, Precision, and Placement. A Centennial Exhibition
– By John GoodrichEnrique Martínez Celaya: The Foreigner's Song
– By Irene Lyla LeeRobert Zehnder: Ageless Machine
– By Clare GemimaCora Cohen: Works from the 1980's
– By Alfred Mac AdamCan't Stop Won't Stop: Meditations on Resilience
– By Amanda Millet-SorsaJamie Earnest: Good Mourning
– By David CarrierJuan Sánchez: Ricanstructions condiciones que existen
– By Emireth Herrera ValdésStolen Sun
– By Thyrza Nichols GoodeveNew York Food Exhibitions
– By Mary Ann CawsMala Iqbal: Shape Shifting in the Outer Boroughs and Its Effects on the Traveler's Perception of the Midnight Sky
– By Andrew Paul WoolbrightAubrey Levinthal: Neighbors, Strangers, Gazers, Bathers
– By Andrew L. SheaWill Ryman: New York, New York
– By Jillian RussoMerrill Wagner
– By Robert C. MorganAubrey Beardsley, 150 Years Young
– By Ann McCoyJulian Schnabel: Predominately Natural Forms, Mexico, 2022
– By Alfred Mac AdamFernanda Gomes
– By Barbara A. MacAdamAllie McGhee: Parallax
– By D. Dominick LombardiCarolee Schneemann: Body Politics
– By Brittany Rosemary JonesEric Fischl: Towards the End of an Astonishing Beauty: An Elegy to Sag Harbor, and thus America
– By Alfred Mac AdamRobert Janitz at the Anahuacalli
– By Suzanne HudsonMad Women
– By William CorwinJohn Coplans: La Vie des Formes
– By Joe FyfeHank Willis Thomas & For Freedoms: Another Justice: US is Them
– By Joyce BeckensteinStressed World
– By Lenore MalenMasaomi Yasunaga: Looking Afar / 遠くを見る
– By Cassie PackardAstrid Terrazas: La Jardinera
– By Elizabeth BuheLorna Simpson: 1985–92
– By Maddie HamptonGuston/Morandi/Scully
– By Tom McGlynnMark Laver: Within
– By Andrew Paul WoolbrightPaul McCarthy: A&E
– By Donatien GrauPainting in New York: 1971-83
– By Ksenia M. SobolevaRegeneration: Black Cinema 1898-1971
– By Phyllis Tuchman
Books
Christine Sneed with Blake Sanz
Jill Bialosky’s The Deceptions
– By Carissa ChesanekTuhin Das's Exile Poems: In the Labyrinth of Homesickness
– By Tony LeuzziJennifer Otter Bickerdike's You are Beautiful and You are Alone: The Biography of Nico
– By Ed HamiltonHua Hsu's Stay True: A Memoir
– By Elizabeth LothianRene Ricard's God with Revolver
– By Terese Coe
Music
Notes From Aboveground
– By George GrellaThis Forsythia Bush
– By Adolf AlzupharGreen Man Festival
– By Martin LongleyWassulu Empress
– By Scott Gutterman
Dance
HOLDTIGHT: when the blossom passes, what remains?
– By Hallie ChametzkyTheaters of the Body: K.J. HOLMES with Tess Michaelson
– By Tess MichaelsonPAGEANT: Move What Cannot Be Said
– By Anya Bernstein and Angelina Hoffman
Film
Third Horizon Film Festival 2022
– By Marius HrdyRithy Panh's Everything Will Be Ok and Irradiés
– By Farah AbdessamadP.S. Vinothraj's Pebbles
– By Arun A.K.Kiro Russo's El Gran Movimiento
– By Alonso AguilarJoanna Hogg's The Souvenir
– By Anandi Mishra
Theater
A Riff Gone Too Far: Jess and Tom
– By Daphne AlwaysThe American Dream Becomes a Queer, Coming-of-Age Videogame in american (tele)visions
– By Alexi ChaconWalter Corwin’s A Short History of Now
– By Allison Green
Fiction
The Widow
– By Annell LópezThe Love of Joey's Life
– By Zack Graham
Art Books
The Return of Printed Matter’s New York Art Book Fair—IRL
– By Nick BennettCarla Zaccagnini's Cuentos de Cuentas
– By Lyle RexerJordan Weitzman's Participation
– By Zach RitterTamy Ben-Tor and Miki Carmi's Archive
– By Judith LenglartJohn Ashbery's Something Close to Music: Late Art Writings, Poems, and Playlists
– By Candice Chu
ArTonic
The Guston Foundation: The Maintenance of Philip Guston's Legacy
– By Jonathan Goodman
Field Notes
The Knife At Your Throat
– By Phil A. NeelStates of Incarceration: Zhandarka Kurti and Jarrod Shanahan with Tobi Haslett
– By Tobi Haslett“Non Ti Schiantare”--On the Road to Rome and Fascism
– By Serge Quadruppani
The Miraculous
21. 1954-1963, Los Angeles
– By Raphael Rubinstein22. 1947-2006, Texas, Mostly
– By Raphael Rubinstein23. 1950-1992, Spain
– By Raphael Rubinstein24. 1947-1948, New York
– By Raphael Rubinstein25. 20th Century; Havana, Cuba
– By Raphael Rubinstein
Art and Technology
Glitching Time and Time-Based Media
– By Charlotte Kent