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Named after the Fleetwood Mac song, the novel portrays a woman finding hope and strength even as the foundations of her life are shifting. Right at the start, the introspective narrator, Jill Archer, lays out the difficulties that permeate this domestic drama. She is raising two teenage sons, Sam and Charlie. She refers to them as the wolves because as they grow more distant from her, their mysterious silences make them seem like another species.
At age 11, Kenan Trebinčević found himself in the middle of a firefight, bullets ricocheting around him as he carried bread home to his family in hiding. As Muslims, they were targets of the brutal ethnic cleansing of the Bosnian War in 1993. Mortars were blowing up the street as he ran for his life. When he spotted his favorite teacher holding an AK-47, he went to him for help, but the Christian Serb turned his gun on Kenan and pulled the trigger. The gun jammed, allowing Kenan to escape, but the betrayal would be permanently etched into his memory.
Henkin’s latest novel Morningside Heights, delayed from publication for one year because of COVID-19, is a tragedy in which a family copes with one members early-onset Alzheimers disease. Its a gracefully written book, Henkins best so far, that manages to be emotionally moving, without being cloying or so overwhelmingly depressive as to be unreadable.
My grass-stained knees pledge allegiance/to a country that belongs to no one/I love, writes Hafizah Geter in the title poem of Un-American, a debut that interrogates citizenship, statehood, police brutality, and national identity.
The 384-page novel is a bold, sweeping book featuring broad themes such as politics, sexuality, mixed-race marriage, and a dysfunctional family. Ahmeds prose is imaginative and poetic, bringing readers into a week in the life of the Hussein women, comprised of sisters Seema and Tahera and mother, Nafeesa.
In these three disparate books written by women, there are moments that shock and commonalities that illustrate the importance of diverse voices. In her new collection of essays, Jacqueline Rose writes with her usual precision about violence and its deadly grip on modern life. Black Box is the English translation of Shiori Itos groundbreaking account of surviving sexual violence in Japan. And in While Justice Sleeps, political powerhouse Stacey Abrams brings us a complex thriller focused on a young mixed-race woman investigating corruption at the highest levels of the US government.
The Great Mistake, a new novel by Jonathan Lee (High Dive), is about the life and death of Andrew Haswell Green, the fictional character who created New York. The narrator tells the story of New Yorks Famous Creator, walking us through the steps that lead to his untimely death in 1903, while uncovering Andrews quiet and oftentimes lonely world.
Clairvoyant of the Small: The Life of Robert Walser (Yale University Press, 2021) is an affectionate, precise piece of writing that illustrates a man of complexities both personal and professional. It is an intimate portrait of an artist, soul-crushing in its realism, with all its valor and rigor.
In breadth and skill, insight and innovation, Dear Miss Metropolitan takes its place alongside Roberto Bolaños 2666 among the most profound works of literature to have emerged from crimes so horrific they became international sensations. Years in the making, emerging from a mind transformed by decades in a chrysalis, the book leaves one heaving a glorious sigh, feeling that it was well worth the wait, and harboring a secret hope that the next cocoon will crack more quickly.
Summer Fun by Jeanne Thornton is an epistolary novel that is as much mystery as cultural analysis and rewards the reader by never giving us what we expect or what we think we want.
David Leo Rices debut collection of short fiction, Drifter: Stories, compiles roughly 10 years of writing into a single volume that screamsfiguratively and, at times, literallyto be read as both a brilliant and disturbing reflection on a singularly strange decade, and as a grippingly accessible introduction to the work of an artist and storyteller with a voice and vision entirely his own.
As the title of the book suggests, Prufer accomplishes this through an inventive, supple storytelling style that binds memories and hypotheticals to various fictional forms. The bulk of the collection is comprised of poems in which multiple narratives initially run parallel, then gradually angle towards one another and ultimately intersect.