Word count: 631
Paragraphs: 42
Source Code
1
In that cave, each reverberation
created a semblance
in which the echoes
began to hear themselves
speak.
2
Sometimes
the rumble of a nearby lawn mower
would make her sex
give a ping.
3
Rapid eye movement.
The menace
behind sudden motion;
for a person
the meaning.
Communal
You stop to catch your breath,
dizzy, on the crowded trail,
so tired you
let the Lord in, oops!
in the form of
a fern-like conifer
undulating slowly,
each limb
drawing its own
lazy circle
in the air
from below.
Don’t worry.
He/She/They
won’t stay.
But remember your breath’s
not your own.
Knots
“Force-posture in place.”
That’s not funny!
Small dogs yip
after an ice-cream truck
circling slowly
in the asphalt melting heat.
Sasha says,
“Let’s just pretend
to be Sasha and Renee.”
No one is someone
in a dream, yet
dreams are full
of urgency.
I say,
a paradox
is like a knot;
a knot is like
a roundelay.
Picture This
Particles, whether long or short-lived,
arise from “a permanent
traveling disturbance
in a quantum field.”
But we all know that
when a disturbance
is permanent,
it no longer disturbs.
Picture a tent city.
*
One way to think about it
is as a kind of tension
rippling through space.
We know how tension
distributes itself
in a body, now
behind the eyelids,
now in the shoulders,
how it can be moved
but not removed
so that, when we suck
on our knuckles,
our neck muscles
can relax
briefly.
*
Why so tense,
we might wonder.
Did God yell “Hey!”
just once
as if testing
the acoustics?
In Passing
Perfumes, teas, and wines
are ranked
on their complexity.
People appreciate
a cryptic smile
in a painting.
Midway
between knowing best
and unraveling,
you look incredulous.
*
Now the small cloud
with the head
of a hippopotamus
has aplomb,
sitting just beneath
its shapeless gray
mother.
Rae Armantrout’s recent book Go Figure came out from Wesleyan in August of 2024. Her next book, Safe Rooms, will be published by Wesleyan in 2026. Her book Versed won the Pulitzer Prize for Poetry in 2010. Armantrout’s poems have appeared in journals and anthologies including The Norton Anthology of Postmodern American Poetry, Poetry, The New Yorker, Lana Turner, Granta, and The Nation. She is professor emerita at UC San Diego.