Art In Conversation
LEONARDO DREW with Charles Schultz
Leonardo Drew (b. 1961) considers himself an elder statesman of the art world.
Art In Conversation
HOWARDENA PINDELL with Toby Kamps
A painter and mixed-media and video artist with a unique, bifurcated practice, Howardena Pindell makes both sumptuous process-driven abstract works and pull-no-punches issue-based works that call out racism, sexism, and other injustices.
Art In Conversation
HITO STEYERL with Osman Can Yerebakan
Presenting a commissioned video installation and existing work by multimedia artist Hito Steyerl, Drill at the Park Avenue Armory is the Berlin-based artist’s most expansive presentation in the United States to date.
Art In Conversation
GERD STERN with Raymond Foye
Gerd Stern is a poet, painter, sculptor, and media artist. His oral history, From Beat Scene Poet to Psychedelic Multimedia Artist: 1948–1978, was published by The Bancroft Library, University of California, Berkeley.
A Tribute to Okwui Enwezor
In Okwui Enwezor the world has lost a great interpreter of the present day and a brilliant curator.
The Adolph and Esther Gottlieb Foundation
By Tom McGlynnAn artist isn’t motivated by need alone. One of the unique aspects of pursuing an artistic life is that the intent of such a life is driven by a personal vision and, if there is an economics of that desire, it is for “more vision.” Adolph Gottlieb believed, unequivocally, that to be an artist was the ultimate life choice. He also acutely knew, however, that from this choice, pragmatic necessities do, unavoidably, arise.
From the Publisher & Artistic Director
Dear Friends and Readers,
By Phong BuiNo work of art has ever prevented or stopped a war. No work of art has ever solved poverty, unemployment, or any other political or social crisis. Yet, imagine a world without works of art...
Editor's Message Guest Critic
Unvarnished Truths
By George BisaccaThe history of restoration–today we call it “conservation” in order to distinguish it from a misbegotten 19th-century notion of returning the work of art to some imagined pristine original state–is fraught with controversy.
Critics Page
-
Beneath the Surface
– By Keith Christiansen -
Hitting Singles
– By Jim Coddington -
Brokering Truths: The Inescapability of Subjectivity
– By Michael Gallagher -
Use it, or lose it
– By Kate Lewis -
Art, History, and Europe
– By Lisa Rosen -
Fact and Feeling
– By Larry Keith -
The Leonardo Effect
– By Diane Modestini -
Entwined: Artist’s Voice and Conservator’s Expertise
– By Carol Mancusi-Ungaro -
David Novros
ArtSeen
-
Painters of the East End
– By Mary Ann Caws -
Dora Maar
– By Paulina Choh -
Olga Balema: brain damage
– By Amelia Farley -
Ghost in the Ghost
– By Danni Shen -
Nine Iranian Artists in London: THE SPARK IS YOU
– By Daniel Pateman -
Janet Biggs: Overview Effect
– By Nicole Miller and Eleanor Paynter -
Ghost in the Ghost
– By Emily Sun -
Lawrence Abu Hamdan: Earwitness Theatre
– By Joel Kuennen -
Tony Cox: Shadow Bathing
– By Cal McKeever -
Doing What Comes Naturally: Seven Painters in Their Prime
– By Tom McGlynn -
Hock E Aye Vi Edgar Heap of Birds: Surviving Active Shooter Custer
– By Alan Gilbert -
The 33rd Ljubljana Biennial of Graphic Arts: Crack Up - Crack Down
– By Holly Bushman -
Downtown Painting
– By Jonathan Goodman -
Curating Brexit
– By George Kan -
Gina Beavers: The Life I Deserve
– By Charlotte Kent -
Joseph Elmer Yoakum
– By Alfred Mac Adam -
Crack Up - Crack Down
– By Osman Can Yerebakan -
cart, horse, cart
– By Alfred Mac Adam -
Neo Rauch: Aus dem Boden (From The Floor)
– By Tom McGlynn -
Nicolas Carone: What Matters
– By Phong Bui -
Painters Reply: Experimental Painting in the 1970s and Now
– By Phong Bui -
Nothing Succeeds Like Excess: Camp at the Met
– By Mark Dery -
Sonya Clark: Monumental Cloth, The Flag We Should Know
– By Maureen Catbagan and Amber Jamilla Musser -
Felix Gonzalez-Torres: Untitled (1989)
– By Phillip Griffith -
Tamara Gonzales: Bo Yancon
– By Dan Cameron -
Abbas Akhavan: cast for a folly
– By Maddie Klett -
Fiona Connor: Closed for installation, Fiona Connor, SculptureCenter, #4
– By Andreas Petrossiants -
The Hugo Boss Prize 2018: Simone Leigh, Loophole of Retreat
– By Ann C. Collins -
Harmony Hammond: Material Witness, Five Decades of Art
– By Meredith Mendelsohn -
Jeff Wall
– By Graham W. Bell -
The Power of Intention: Reinventing the (Prayer) Wheel
– By Avram C. Alpert -
Simone Fattal: Works and Days
– By Valentina Di Liscia -
Anne Samat: Greatest Love
– By J C -
Hannah Black and Juliana Huxtable: Penumbra
– By Charlene K. Lau -
Emanation 2019
– By Joyce Beckenstein -
Renaldo Kuhler: Rocaterrania
– By William Corwin -
Tim Zercie: Regenbogenscherben
– By William Corwin -
Colored People Time: Quotidian Pasts
– By Devin Malone -
Heather Dewey-Hagborg: At the Temperature of My Body
– By Joel Kuennen -
Jos de Gruyter and Harald Thys: Mondo Cane
– By Helena Haimes -
Arshile Gorky 1904-1948
– By David Carrier -
Gorky in Venice
– By David Anfam -
Venice Biennale
– By Jonathan Fineberg -
I'm lost at the Biennale Arsenale and I can't find my parents
– By Oliver Katz -
Frankenthaler: History Returns to Venice
– By Joachim Pissarro and David Carrier
Table of Contents
Editor's Message
-
Unvarnished Truths
– By George Bisacca
Publisher's Message
-
Dear Friends and Readers,
– By Phong Bui
Art
-
Getting to res.o.nant
– By Norman L Kleeblatt -
LEONARDO DREW with Charles Schultz
-
HOWARDENA PINDELL with Toby Kamps
-
HITO STEYERL with Osman Can Yerebakan
-
GERD STERN with Raymond Foye
ArtSeen
-
Painters of the East End
– By Mary Ann Caws -
Dora Maar
– By Paulina Choh -
Olga Balema: brain damage
– By Amelia Farley -
Ghost in the Ghost
– By Danni Shen -
Nine Iranian Artists in London: THE SPARK IS YOU
– By Daniel Pateman -
Janet Biggs: Overview Effect
– By Nicole Miller and Eleanor Paynter -
Ghost in the Ghost
– By Emily Sun -
Lawrence Abu Hamdan: Earwitness Theatre
– By Joel Kuennen -
Tony Cox: Shadow Bathing
– By Cal McKeever -
Doing What Comes Naturally: Seven Painters in Their Prime
– By Tom McGlynn -
Hock E Aye Vi Edgar Heap of Birds: Surviving Active Shooter Custer
– By Alan Gilbert -
The 33rd Ljubljana Biennial of Graphic Arts: Crack Up - Crack Down
– By Holly Bushman -
Downtown Painting
– By Jonathan Goodman -
Curating Brexit
– By George Kan -
Gina Beavers: The Life I Deserve
– By Charlotte Kent -
Joseph Elmer Yoakum
– By Alfred Mac Adam -
Crack Up - Crack Down
– By Osman Can Yerebakan -
cart, horse, cart
– By Alfred Mac Adam -
Neo Rauch: Aus dem Boden (From The Floor)
– By Tom McGlynn -
Nicolas Carone: What Matters
– By Phong Bui -
Painters Reply: Experimental Painting in the 1970s and Now
– By Phong Bui -
Nothing Succeeds Like Excess: Camp at the Met
– By Mark Dery -
Sonya Clark: Monumental Cloth, The Flag We Should Know
– By Maureen Catbagan and Amber Jamilla Musser -
Felix Gonzalez-Torres: Untitled (1989)
– By Phillip Griffith -
Tamara Gonzales: Bo Yancon
– By Dan Cameron -
Abbas Akhavan: cast for a folly
– By Maddie Klett -
Fiona Connor: Closed for installation, Fiona Connor, SculptureCenter, #4
– By Andreas Petrossiants -
The Hugo Boss Prize 2018: Simone Leigh, Loophole of Retreat
– By Ann C. Collins -
Harmony Hammond: Material Witness, Five Decades of Art
– By Meredith Mendelsohn -
Jeff Wall
– By Graham W. Bell -
The Power of Intention: Reinventing the (Prayer) Wheel
– By Avram C. Alpert -
Simone Fattal: Works and Days
– By Valentina Di Liscia -
Anne Samat: Greatest Love
– By J C -
Hannah Black and Juliana Huxtable: Penumbra
– By Charlene K. Lau -
Emanation 2019
– By Joyce Beckenstein -
Renaldo Kuhler: Rocaterrania
– By William Corwin -
Tim Zercie: Regenbogenscherben
– By William Corwin -
Colored People Time: Quotidian Pasts
– By Devin Malone -
Heather Dewey-Hagborg: At the Temperature of My Body
– By Joel Kuennen -
Jos de Gruyter and Harald Thys: Mondo Cane
– By Helena Haimes -
Arshile Gorky 1904-1948
– By David Carrier -
Gorky in Venice
– By David Anfam -
Venice Biennale
– By Jonathan Fineberg -
I'm lost at the Biennale Arsenale and I can't find my parents
– By Oliver Katz -
Frankenthaler: History Returns to Venice
– By Joachim Pissarro and David Carrier
1x1
-
Dorothea Rockburne's Visionary Installation at Dia:Beacon
– By Joan Waltemath
Critics Page
-
Beneath the Surface
– By Keith Christiansen -
Hitting Singles
– By Jim Coddington -
Brokering Truths: The Inescapability of Subjectivity
– By Michael Gallagher -
Use it, or lose it
– By Kate Lewis -
Art, History, and Europe
– By Lisa Rosen -
Fact and Feeling
– By Larry Keith -
The Leonardo Effect
– By Diane Modestini -
Entwined: Artist’s Voice and Conservator’s Expertise
– By Carol Mancusi-Ungaro -
David Novros
Books
-
Rachel Cline’s The Question Authority
– By Anna Schwartzman -
TALK TALK
– By Greg Cwik -
The William H. Gass Reader
– By Jacob Singer -
Amanda Goldblatt’ Hard Mouth
– By Deena ElGenaidi -
Caroline Hagood’s Personal as the Poetic Politic
– By Jill Di Donato -
Exiles of Eden
-
Joe Pan’s Operating Systems
– By J.C. Hallman -
THOM SATTERLEE with Tony Leuzzi
-
Elvia Wilk’s Oval
– By Yvonne C. Garrett
Music
-
Hosono Haruomi
– By Sadie Rebecca Starnes -
Aphex Twin
– By Martin Longley -
Mark Stryker: Jazz from Detroit
– By George Grella -
Outtakes
– By Steve Dalachinsky -
Highly Selective Listings
– By George Grella and Brad Cohan
Dance
-
Ratmansky’s Imprint on ABT
– By Susan Yung -
Ligia Lewis: Water Will (in Melody)
– By George Kan -
LARISSA VELEZ-JACKSON with Mike Stinavage
-
Poses at the House of Metropolitan
– By Rennie McDougall -
Dragon Spring Phoenix Rise
– By Nicole Loeffler-Gladstone
Film
-
Singing the Blues: Roberto Minervini's What You Gonna Do When the World's on Fire?
– By Beatrice Loayza -
About Some Meaningful Events: African Cinema and 50 Years of FESPACO
– By Marius Hrdy -
No Release: Chantal Akerman's My Mother Laughs
– By Daniel Witkin -
Il Cinema Ritrovato: Forward into the Past
– By Celluloid Liberation Front -
ALFREDO SALAZAR-CARO with Joel Kuennen
-
The Long Morning: J. Hoberman’s Make My Day
– By Madeline Whittle -
Cannes 2019: The Push and Pull between Genre and Auteurism
– By James Lattimer -
Time is Luck: The 5th Annual Nitrate Picture Show
– By Gina Telaroli
Theater
-
Merril Mushroom's Bar Dykes: Conjuring '50s Lesbian Bar Culture
– By Kathleen Warnock -
Seeing the Machine in Miranda Haymon's In the Penal Colony
– By Jeremy O. Harris
Fiction
-
Black Gold
– by Lara Moreno, translated from the Spanish by Katie Whittemore -
Memories for Olga
– by Lara Moreno, translated from the Spanish by Katie Whittemore -
Imperfect Future
– by Lara Moreno, translated from the Spanish by Katie Whittemore -
My Body is (the) Marginalia; The Sun Drawn a Saw Across the Strings
– By Jennifer Bartlett -
from What Would Emma Goldman Do?
– By Cara Benson -
The Road to Golgonooza
– by T. Motley -
inSerial: part ten The Mysteries of Paris
– by Eugène Sue, translated from the French by Robert Bononno -
Leaves of AstroTurf
– By Sam Ferri
Poetry
-
four
– By Andrei Codrescu -
three
– By Sophia Le Fraga -
from PRISE
– By Broc Rossell -
three
– By Claire Meuschke -
five
– By Hamish Ballantyne -
I was having a flashback.
– By Mónica de la Torre
Art Books
-
Mariana Valencia’s Album and Bouquet
– By Gillian Jakab -
en plein air: Ethnographies of the Digital
– By Brianna Leatherbury -
Decoding Dictatorial Statues
– By Cara Jordan -
Meghann Riepenhoff's Littoral Drift and Ecotone
– By Megan N. Liberty
In Memoriam
ArTonic
-
The Adolph and Esther Gottlieb Foundation
– By Tom McGlynn
In Memoriam
Field Notes
-
Expropriate Everything
– By Jacob Blumenfeld -
We Can Defend Ourselves
– By Jacob Blumenfeld -
Invasive Architecture
– By Maurice Maultz -
Accentuate the Positive: YIMBY in the Service of Development
– By Rico Cleffi -
The Moral Economy in the Black Rural South
– By Curtis Price
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