The Brooklyn Rail
Critical Perspectives on Art, Politics and Culture
The Brooklyn Rail Logo
Home
Issues
Events
Exhibitions
Art
ArtSeen
Critics Page
Field Notes
Dance
Books
Music
Fiction
Film
Theater
Poetry
Art Books
Architecture
1×1
Special Report
Dispatches
Railing Opinion
Art and Technology
Subscribe
Donate
May 2008
April 2026
March 2026
February 2026
December/January 2025–26
November 2025
October 2025
September 2025
July/August 2025
June 2025
May 2025
April 2025
March 2025
February 2025
Dec/Jan 2024–25
November 2024
October 2024
September 2024
July/August 2024
June 2024
May 2024
April 2024
March 2024
February 2024
Dec/Jan 2023–24
November 2023
October 2023
September 2023
July/August 2023
June 2023
May 2023
April 2023
March 2023
February 2023
Dec/Jan 22–23
November 2022
October 2022
September 2022
July/August 2022
June 2022
May 2022
April 2022
March 2022
February 2022
Dec/Jan 21–22
November 2021
October 2021
September 2021
River Rail Puerto Rico
July/August 2021
June 2021
May 2021
April 2021
March 2021
February 2021
Dec/Jan 20–21
November 2020
October 2020
September 2020
July/August 2020
June 2020
May 2020
April 2020
March 2020
February 2020
Dec/Jan 19–20
November 2019
October 2019
River Rail Colby
September 2019
July/August 2019
June 2019
May 2019
April 2019
March 2019
February 2019
Dec/Jan 18–19
November 2018
October 2018
September 2018
July/August 2018
June 2018
May 2018
April 2018
March 2018
February 2018
River Rail
Dec/Jan 17–18
November 2017
October 2017
September 2017
July/August 2017
I Love John Giorno
June 2017
May 2017
April 2017
March 2017
February 2017
Dec/Jan 16–17
November 2016
October 2016
September 2016
July/August 2016
June 2016
May 2016
April 2016
March 2016
February 2016
Dec/Jan 15–16
November 2015
October 2015
September 2015
July/August 2015
June 2015
May 2015
April 2015
March 2015
February 2015
Dec/Jan 14–15
November 2014
October 2014
September 2014
July/August 2014
June 2014
May 2014
Art Crit Europe
April 2014
March 2014
February 2014
Ad Reinhardt
Dec/Jan 13–14
November 2013
October 2013
September 2013
July/August 2013
June 2013
May 2013
April 2013
March 2013
February 2013
Dec/Jan 12–13
November 2012
October 2012
September 2012
July/August 2012
June 2012
May 2012
April 2012
March 2012
February 2012
Dec/Jan 2011–12
November 2011
October 2011
September 2011
July/August 2011
June 2011
May 2011
April 2011
March 2011
February 2011
Dec/Jan 2010–11
November 2010
October 2010
September 2010
July/August 2010
June 2010
May 2010
April 2010
March 2010
February 2010
Dec/Jan 2009–10
November 2009
October 2009
September 2009
July/August 2009
June 2009
May 2009
April 2009
March 2009
February 2009
Dec/Jan 2008–09
November 2008
October 2008
September 2008
July/August 2008
June 2008
May 2008
April 2008
March 2008
February 2008
Dec/Jan 2007–08
November 2007
October 2007
September 2007
July/August 2007
June 2007
May 2007
April 2007
March 2007
February 2007
Dec/Jan 2006–07
November 2006
October 2006
September 2006
July/August 2006
June 2006
May 2006
April 2006
March 2006
February 2006
Dec/Jan 2005–06
November 2005
October 2005
September 2005
July/August 2005
June 2005
May 2005
April 2005
March 2005
February 2005
Dec/Jan 2004–05
November 2004
October 2004
September 2004
July/August 2004
June 2004
May 2004
April 2004
March 2004
February 2004
Dec/Jan 2003–04
Winter 2003
November 2003
October 2003
August/September 2003
Summer 2003
June/July 2003
April/May 2003
Autumn 2002
Aug/Sept 2002
Early Summer 2002
March/April 2002
Jan/Feb 2002
Oct/Nov 2001
July/Aug 2001
May/June 2001
Feb/March 2001
Dec/Jan 2000–01
Oct/Nov 2000
The “May 2008” Issue of the Brooklyn Rail was published on May 6, 2008.
Buy this issue
Art
Tom Doyle with Phong Bui
Simon Frost with John Yau
Richard Shiff with Katy Siegel
Dore Ashton's
Engagé
--Art Criticism in the Face of Contemporary Tragedies
–
By
David Craven
Dark mode: Off
Close
Home