Ad and Artists

Sol Lewitt

AD REINHARDT
Sol LeWitt, <em>Autobiography</em>, New York and Boston Multiples, Inc (New York) and Lois and Michael K. Torf (Boston), 1980. Courtesy the Estate of Sol Lewitt.
Sol LeWitt, Autobiography, New York and Boston Multiples, Inc (New York) and Lois and Michael K. Torf (Boston), 1980. Courtesy the Estate of Sol Lewitt.

RECOMMENDED ARTICLES


AD REINHARDT: Blue Paintings

by Eleanor Ray

OCT 2017 | ArtSeen

Ad Reinhardt is known as an artist of extremes. While committed to abstract painting that became infamous for its austerity, he also had an expansive curiosity about art and the world. He was a vocal critic of the art market and his peers, as well as a proselytizer of art and architecture from disparate regions and periods, which he obsessively photographed for slide lectures.

AD REINHARDT: Blue Paintings

by Nathlie Provosty

OCT 2017 | ArtSeen

1943, the year Roosevelt, Churchill, and Stalin met in Tehran to discuss their war strategy, Ad Reinhardt made a deep blue and green oil painting that is the earliest work in this Zwirner Gallery exhibition.

AD REINHARDT: Blue Paintings

by Alex Bacon

OCT 2017 | ArtSeen

This presentation at David Zwirner Gallery is the largest exhibition of Ad Reinhardt’s blue paintings ever assembled, and the first dedicated to them since a seminal 1965 show at the Stable Gallery.

Ian Davenport and Jo Melvin on Sol LeWitt

NOV 2018 | Critics Page

I was attracted to the physical way that Pollock dealt with materials and his balletic, fluid gestures. I liked the performative aspect of his painting, but I did struggle with some of the discourse around his work. I was also looking for something that wasn’t as mystical as Pollock’s approach. I was interested in LeWitt and bought a book on his work. I like the way he described the contents of the work, the way it was made, and what it was made on. I found that straight forward and accessible. The demystification of what art could be about, seemed incredibly liberating.

ADVERTISEMENTS