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Critical Perspectives on Art, Politics and Culture

OCT 2022

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OCT 2022

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A message from Phong Bui
Publisher and Artistic Director

Art

Nash Glynn with Ann C. Collins
Suzanne Jackson with Lilly Wei
Matthew Ritchie with Jason Rosenfeld
Thomas Ruff with Will Fenstermaker
Float
By Charlie M. Schultz

ArtSeen

Jorge Galindo: Verbena
By Amanda Millet-Sorsa
Julie Curtiss: Somnambules
By Jason Rosenfeld
Alix Le Méléder: LES GRANDES ROUGES
By Joe Fyfe
Yuri Yuan: Dark Dreams
By Vanilla Anandam
Peter Sacks: Above Our Lands
By Jonathan Goodman
Sharon Butler: NEXT MOVES
By Adam Simon
Here We Are: Young, Black, and Indigenous Women in the Art World
By William Corwin
Leland Bell: Paint, Precision, and Placement. A Centennial Exhibition
By John Goodrich
Enrique Martínez Celaya: The Foreigner’s Song
By Irene Lyla Lee
Robert Zehnder: Ageless Machine
By Clare Gemima
Cora Cohen: Works from the 1980’s
By Alfred Mac Adam
Can’t Stop Won’t Stop: Meditations on Resilience
By Amanda Millet-Sorsa
Jamie Earnest: Good Mourning
By David Carrier
Juan Sánchez: Ricanstructions condiciones que existen
By Emireth Herrera Valdés
Stolen Sun
By Thyrza Nichols Goodeve
New York Food Exhibitions
By Mary Ann Caws
Mala Iqbal: Shape Shifting in the Outer Boroughs and Its Effects on the Traveler’s Perception of the Midnight Sky
By Andrew Paul Woolbright
Aubrey Levinthal: Neighbors, Strangers, Gazers, Bathers
By Andrew L. Shea
Will Ryman: New York, New York
By Jillian Russo
Merrill Wagner
By Robert C. Morgan
Aubrey Beardsley, 150 Years Young
By Ann McCoy
Julian Schnabel: Predominately Natural Forms, Mexico, 2022
By Alfred Mac Adam
Fernanda Gomes
By Barbara A. MacAdam
Allie McGhee: Parallax
By D. Dominick Lombardi
Carolee Schneemann: Body Politics
By Brittany Rosemary Jones
Eric Fischl: Towards the End of an Astonishing Beauty: An Elegy to Sag Harbor, and thus America
By Alfred Mac Adam
Robert Janitz at the Anahuacalli
By Suzanne Hudson
Mad Women
By William Corwin
John Coplans: La Vie des Formes
By Joe Fyfe
Hank Willis Thomas & For Freedoms: Another Justice: US is Them
By Joyce Beckenstein
Stressed World
By Lenore Malen
Masaomi Yasunaga: Looking Afar / 遠くを見る
By Cassie Packard
Astrid Terrazas: La Jardinera
By Elizabeth Buhe
Lorna Simpson: 1985–92
By Maddie Hampton
Guston/Morandi/Scully
By Tom McGlynn
Mark Laver: Within
By Andrew Paul Woolbright
Paul McCarthy: A&E
By Donatien Grau
Painting in New York: 1971-83
By Ksenia Soboleva
Regeneration: Black Cinema 1898-1971
By Phyllis Tuchman

Critics Page

First Encounters with Marcel Duchamp
Guest Critic: Francis M. Naumann
Three Encounters with Marcel Duchamp
By Carroll Janis
Meeting Duchamp
By Calvin Tomkins
1968: Before and After
By Dawn Ades
No Endgame in Sight
By Bradley Bailey
Infinite Encounter
By Lars Blunck
Why Fountain Matters as Never Before
By Thierry de Duve
From Manuport to Readymade
By Pablo Echaurren
Étant donnés
By Elena Filipovic
Bitten
By Paul B. Franklin
Nothing Literary in the Accepted Sense
By Andre Gervais
Intrusions into the Enchanter’s Domain
By Thomas Girst
Discovering Duchamp through the “Fourth Dimension” in 1971
By Linda Dalrymple Henderson
Carambolage
By Rudolf Herz
Looking Back
By Herbert Molderings
In Advance of the Broken Arm
By Molly Nesbit
Seeing Duchamp’s Coffee Mill at the Tate: First Encounter of a Lasting Kind
By Michael Taylor
Readymade Statements
By Mike Bidlo

Books

Christine Sneed with Blake Sanz
Jill Bialosky’s The Deceptions
By Carissa Chesanek
Tuhin Das’s Exile Poems: In the Labyrinth of Homesickness
By Tony Leuzzi
Jennifer Otter Bickerdike’s You are Beautiful and You are Alone: The Biography of Nico
By Ed Hamilton
Hua Hsu’s Stay True: A Memoir
By Elizabeth Lothian
Rene Ricard’s God with Revolver
By Terese Coe

Music

Notes From Aboveground
By George Grella
This Forsythia Bush
By Adolf Alzuphar
Green Man Festival
By Martin Longley
Wassulu Empress
By Scott Gutterman

Dance

HOLDTIGHT: when the blossom passes, what remains?
By Hallie Chametzky
Theaters of the Body: K.J. HOLMES with Tess Michaelson
By Tess Michaelson
PAGEANT: Move What Cannot Be Said
By Anya Bernstein and Angelina Hoffman

Film

Third Horizon Film Festival 2022
By Marius Hrdy
Rithy Panh’s Everything Will Be Ok and Irradiés
By Farah Abdessamad
P.S. Vinothraj’s Pebbles
By Arun A.K.
Kiro Russo’s El Gran Movimiento
By Alonso Aguilar
Joanna Hogg’s The Souvenir
By Anandi Mishra

Theater

A Riff Gone Too Far: Jess and Tom
By Daphne Always
The American Dream Becomes a Queer, Coming-of-Age Videogame in american (tele)visions
By Alexi Chacon
Walter Corwin’s A Short History of Now
By Allison Green

Fiction

The Widow
By Annell López
The Love of Joey’s Life
By Zack Graham

Poetry

three
By Jake Marmer
six
By Violet Spurlock
four
By Will Alexander
five
By Ariel Resnikoff
two
By Patricia Spears Jones
three
By Daisy Fried
four
By Chris Tysh

Art Books

The Return of Printed Matter’s New York Art Book Fair—IRL
By Nick Bennett
Carla Zaccagnini’s Cuentos de Cuentas
By Lyle Rexer
Jordan Weitzman’s Participation
By Zach Ritter
Tamy Ben-Tor and Miki Carmi’s Archive
By Judith Lenglart
John Ashbery’s Something Close to Music: Late Art Writings, Poems, and Playlists
By Candice Chu

In Memoriam

A Tribute to Peter Lamborn Wilson

ArTonic

The Guston Foundation: The Maintenance of Philip Guston’s Legacy
By Jonathan Goodman

Field Notes

The Knife At Your Throat
By Phil A. Neel
States of Incarceration: Zhandarka Kurti and Jarrod Shanahan with Tobi Haslett
By Tobi Haslett
“Non Ti Schiantare”—On the Road to Rome and Fascism
By Serge Quadruppani

The Miraculous

21. 1954-1963, Los Angeles
By Raphael Rubinstein
22. 1947-2006, Texas, Mostly
By Raphael Rubinstein
23. 1950-1992, Spain
By Raphael Rubinstein
24. 1947-1948, New York
By Raphael Rubinstein
25. 20th Century; Havana, Cuba
By Raphael Rubinstein

Art and Technology

Glitching Time and Time-Based Media
By Charlotte Kent