The New Social Environment#655
Socially Engaged Art in Contemporary China and the Legacies of Socialist Realism
Featuring Yanhua Zhou, Jiao Xingtao, and Paul Gladston
7 p.m. Eastern / 4 p.m. Pacific
Art historian Yanhua Zhou and sculptor Jiao Xingtao join Rail contributor Paul Gladston for a conversation. We conclude with a poetry reading by Jen Soong.
In this talk
An associate professor at Sichuan Fine Arts Institute, Yanhua Zhou received her Ph.D. from the University of Arizona in 2021. Her research interests embrace contemporary Chinese art and visual culture, global socially engaged art and rural studies. Her research appears in peer-reviewed journals such as Journal of Contemporary Chinese Art, China Information, and caa.reviews. After publishing her first monograph in Chinese entitled Artistic Engagement: The Aesthetic Paradigm of Socially Engaged Art, Yanhua is currently revising her dissertation into her second book project entitled Art for the New Masses: Social Engagement, Identity and Aesthetics in Post-socialist Rural China.
Contemporary artist Jiao Xingtao is also the professor and vice-president of the Sichuan Fine Arts Institute, Chongqing. Since 2018 he has been leading various socially engaged rural art projects in Southwest China, including Qitang Experimental Field and Lotus Hole: Chongqing Village Art Festival. His most recent work as an artist is conceptual, a comment on the consumerist excesses of today’s society. He transforms objects—often packaging, such as a discarded Hermès box—with scale and fibre glass to make pieces of statement art.
Award-winning critical theorist and cultural historian Paul Gladston is the inaugural Judith Neilson Chair Professor of Contemporary Art at the University of New South Wales and a distinguished affiliate fellow of the UK-China Humanities Alliance, Tsinghua University. He is an inaugural co-editor of the book series Contemporary East Asian Visual Cultures, Societies and Politics (Palgrave Macmillan, est. 2019) and was founding principal editor of the Journal of Contemporary Chinese Art (Intellect, est. 2014). He recently co-edited the collected edition Visual Culture Wars at the Borders of Contemporary China (Palgrave Macmillan, 2021), and is author of Contemporary Chinese Art, Aesthetic Modernity and Zhang Peili: Towards a Critical Contemporaneity (Bloomsbury, 2019).
The Rail has a tradition of ending our conversations with a poetry reading, and we’re fortunate to have Jen Soong reading.
The daughter of Chinese immigrants, Jen Soong grew up in New Jersey and now resides in northern California. An alum of Tin House and VONA, her writing has appeared in The Washington Post, The Audacity, Jellyfish Review, Cosmonauts Avenue and Waxwing. She received her MFA in creative writing from UC Davis. Her memoir-in-progress is a reckoning of myth, migration and memory.
❤️ 🌈 We'd like to thank the The Terra Foundation for American Art for making these daily conversations possible, and for their support of our growing archive.