Artist Richard Kraft joins poet and translator Mónica de la Torre for a conversation on Richard’s newest book project “It Is What It Is” (Siglio Press, 2021). We’ll conclude with a poetry reading from Peter Gizzi.
In this talk
To celebrate our participation in Printed Matter’s Virtual Art Book Fair, we’ve organized a week of NSE programming highlighting the many voices involved in art books and publishing. From February 24-28, you can view our virtual table and enjoy all the fair has to offer here.
An artist whose multidisciplinary works often use public spaces as well as converse with the literary. Many of his works use language, book pages, and appropriated narratives as material. He has had numerous group and solo gallery shows, including at Charlie James Gallery, LA Louver, and Rosamund Felsen, the Portland Art Museum, the Laguna Art Museum, Bemis Center for Contemporary Art, and Printed Matter, among others. 100 Walkers, West Hollywood, commissioned by The City of West Hollywood for its thirtieth year celebrations, won a Year in Review Award from Americans for the Arts/Public Art Network. Kraft was born and raised in London and now lives in Los Angeles and New York.
Author of six books of poetry of which the most recent is Repetition Nineteen, published by Nightboat Books in the spring of 2020. Others include The Happy End/All Welcome—a riff on a riff on Kafka’s Amerika— as well as Public Domain. Born and raised in Mexico City, she has lived in NYC since mid-’90s and has published several books in Spanish, including Taller de Taquimecanografía, written jointly with the eponymous women’s collective she formed with Gabriela Jauregui, Laureana Toledo, and the late Aura Estrada. She teaches poetry at Brooklyn College and in the Bard MFA program. Recent work appears in Granta 151: Membranes and The Believer. The anthology Women in Concrete Poetry 1959–1979, co-edited with Alex Balgiu, is just out from Primary Information.
The Rail has a tradition of ending our conversations with a poetry reading, and we’re fortunate to have
The author of eight collections of poetry, most recently, Now It’s Dark, and Archeophonics (Finalist for 2016 The National Book Award). His honors include fellowships from The Rex Foundation, The Howard Foundation, The Foundation for Contemporary Arts, and the Guggenheim Foundation. He works at the University of Massachusetts, Amherst.